1 00:00:03,106 --> 00:00:04,832 PREVIOUSLY ON LOVE and HIP-HOP: 2 00:00:04,832 --> 00:00:06,282 ATLANTA... 3 00:00:06,282 --> 00:00:07,524 WE NEED TO HAVE A DINNER 4 00:00:07,524 --> 00:00:09,009 FOR ZINO AND HIS NEW GIRL. 5 00:00:09,009 --> 00:00:09,733 OH, GOSH, DON'’T TELL ME 6 00:00:09,733 --> 00:00:10,527 YOU SMASHED HER TOO, 7 00:00:10,527 --> 00:00:11,494 '’CAUSE YOU KNOW YOU LOVE 8 00:00:11,494 --> 00:00:12,805 TO SMASH EACH OTHER'’S BITCHES. 9 00:00:12,805 --> 00:00:13,875 I NEVER SMASH. 10 00:00:13,875 --> 00:00:14,566 IT'’S MY FIRST TIME 11 00:00:14,566 --> 00:00:15,222 MEETING YOU, 12 00:00:15,222 --> 00:00:16,637 AND YOU SEEM LIKE A NICE GIRL, 13 00:00:16,637 --> 00:00:17,948 BUT I GOT MY EYES ON YOU. 14 00:00:17,948 --> 00:00:18,639 OKAY. 15 00:00:18,639 --> 00:00:20,020 WHO THE [bleep] IS SHE TO BE 16 00:00:20,020 --> 00:00:21,124 KNOWING MY [bleep] BUSINESS? 17 00:00:21,124 --> 00:00:22,125 WELL, YOU TELL ME EVERYTHING, 18 00:00:22,125 --> 00:00:22,850 DON'’T-- 19 00:00:22,850 --> 00:00:23,885 HOLD UP, HOLD UP, HOLD UP. 20 00:00:23,885 --> 00:00:24,714 BITCHES-- 21 00:00:24,714 --> 00:00:26,026 OH, [bleep]. 22 00:00:26,026 --> 00:00:27,130 YOUR PRINCE 23 00:00:27,130 --> 00:00:28,994 HAS WIFED SOMEBODY HE HAS NEVER 24 00:00:28,994 --> 00:00:30,478 GOT A [bleep]FAX ON, 25 00:00:30,478 --> 00:00:32,135 AND TRUST ME WHEN I TELL YOU, 26 00:00:32,135 --> 00:00:33,964 IT IS EXTENSIVE. 27 00:00:33,964 --> 00:00:34,758 YOU HAVE TO UNDERSTAND 28 00:00:34,758 --> 00:00:36,243 BAMBI'’S POSITION, 29 00:00:36,243 --> 00:00:36,967 AND, BAMBI, 30 00:00:36,967 --> 00:00:38,348 YOU HAVE TO UNDERSTAND 31 00:00:38,348 --> 00:00:39,798 ERICA'’S POSITION. 32 00:00:39,798 --> 00:00:41,110 SHE DON'’T HAVE A POSITION. 33 00:00:41,110 --> 00:00:42,628 BUT SHE DO-- 34 00:00:42,628 --> 00:00:44,113 POSITION, BITCH! 35 00:00:44,113 --> 00:00:45,148 I FEEL LIKE BOTH OF Y'’ALL 36 00:00:45,148 --> 00:00:46,598 ARE BRINGING UNNECESSARY DRAMA 37 00:00:46,598 --> 00:00:47,254 INTO MY LIFE. 38 00:00:47,254 --> 00:00:49,704 I DON'’T DO THIS. 39 00:00:49,704 --> 00:00:51,085 WHY ARE YOU KISSING HIM? 40 00:00:51,085 --> 00:00:52,121 IF MY MOUTH HAD BEEN 41 00:00:52,121 --> 00:00:53,467 ANY PLACE, I WOULDN'’T BE 42 00:00:53,467 --> 00:00:54,123 KISSING HIM. 43 00:00:54,123 --> 00:00:56,332 HOW ABOUT WE TAKE A TRIP? 44 00:00:56,332 --> 00:00:57,643 MARDI GRAS IS COMING UP. 45 00:00:57,643 --> 00:00:58,713 I MIGHT NEED TO JUST LEAVE 46 00:00:58,713 --> 00:00:59,369 HIS ASS. 47 00:00:59,369 --> 00:01:00,060 YOU ALWAYS WANTED TO GO 48 00:01:00,060 --> 00:01:00,819 INTO BUSINESS. 49 00:01:00,819 --> 00:01:01,509 WHAT YOU THINK ABOUT LIKE 50 00:01:01,509 --> 00:01:03,132 A LOUNGE, RESTAURANT TYPE THING? 51 00:01:03,132 --> 00:01:04,409 [all cheer] 52 00:01:04,409 --> 00:01:06,066 SLEAZY and ZINO'’S, BABY. 53 00:01:06,066 --> 00:01:08,275 all: HEY! 54 00:01:08,275 --> 00:01:09,276 [hip-hop music] 55 00:01:09,276 --> 00:01:12,589 ♪ THIS IS THE LIFE 56 00:01:12,589 --> 00:01:13,245 ♪ YEAH 57 00:01:13,245 --> 00:01:14,902 ♪ THIS IS THE LIFE 58 00:01:14,902 --> 00:01:15,558 ♪ '’SUP ♪ 59 00:01:15,558 --> 00:01:17,456 ♪ THIS IS THE LIFE 60 00:01:17,456 --> 00:01:18,112 ♪ HUH 61 00:01:18,112 --> 00:01:21,978 ♪ THIS IS THE LIFE 62 00:01:21,978 --> 00:01:22,634 ♪ HUH 63 00:01:22,634 --> 00:01:23,531 ♪ THERE AIN'’T NOTHING LIKE ♪ 64 00:01:23,531 --> 00:01:24,636 ♪ HIP-HOP MUSIC 65 00:01:24,636 --> 00:01:25,982 ♪ MUSIC 66 00:01:31,367 --> 00:01:41,825 ♪ THIS IS THE LIFE 67 00:01:41,825 --> 00:01:44,414 UH, WELCOME INTO THE JOINT. 68 00:01:44,414 --> 00:01:45,657 WHOO! 69 00:01:45,657 --> 00:01:47,107 EVERYBODY KNOW THAT I'’M ZINO'’S 70 00:01:47,107 --> 00:01:47,762 NEW PARTNER 71 00:01:47,762 --> 00:01:49,247 IN THE HIP HOP WEEKLY, 72 00:01:49,247 --> 00:01:50,489 BUT WHAT YOU MIGHT NOT KNOW 73 00:01:50,489 --> 00:01:51,870 IS THAT WE ABOUT TO BE PARTNERS 74 00:01:51,870 --> 00:01:53,320 IN THE NEW, HOTTEST CLUB 75 00:01:53,320 --> 00:01:54,148 IN ATLANTA. 76 00:01:54,148 --> 00:01:55,460 THIS IS IT. 77 00:01:55,460 --> 00:01:56,116 IT'’S NICE. 78 00:01:56,116 --> 00:01:56,944 SLEAZY/ZINO'’S. 79 00:01:56,944 --> 00:01:57,945 WHAT DO YOU THINK? 80 00:01:57,945 --> 00:01:58,670 IT'’S CUTE. 81 00:01:58,670 --> 00:01:59,740 I LIKE IT. 82 00:01:59,740 --> 00:02:01,466 SLEAZY and ZINO BISTRO 83 00:02:01,466 --> 00:02:03,364 IS GONNA HAVE THE HOTTEST FOOD, 84 00:02:03,364 --> 00:02:04,779 THE STIFFEST DRINKS, 85 00:02:04,779 --> 00:02:06,160 THE LOUDEST SYSTEM, 86 00:02:06,160 --> 00:02:07,817 THE HOTTEST PERFORMANCES, 87 00:02:07,817 --> 00:02:08,887 AND THE FLYEST NIGHTLIFE 88 00:02:08,887 --> 00:02:10,785 ATLANTA'’S EVER SEEN. 89 00:02:10,785 --> 00:02:12,201 [all cheering] 90 00:02:12,201 --> 00:02:14,893 both: HEY! 91 00:02:14,893 --> 00:02:15,825 [smooches] 92 00:02:15,825 --> 00:02:16,895 PUTTING THIS CLUB TOGETHER 93 00:02:16,895 --> 00:02:18,034 IN SUCH A SHORT PERIOD OF TIME 94 00:02:18,034 --> 00:02:19,208 IS HARDER THAN WE THOUGHT. 95 00:02:19,208 --> 00:02:20,450 WE GOT PARTNERS AND INVESTORS 96 00:02:20,450 --> 00:02:21,555 TO DEAL WITH. 97 00:02:21,555 --> 00:02:22,797 WE GOT PERMITS THAT ARE STILL 98 00:02:22,797 --> 00:02:24,316 OUTSTANDING, AND WORST OF ALL, 99 00:02:24,316 --> 00:02:25,352 THE GRAND OPENING 100 00:02:25,352 --> 00:02:26,560 IS THIS WEEKEND. 101 00:02:26,560 --> 00:02:28,113 WE GOT A LOT OF WORK TO DO, 102 00:02:28,113 --> 00:02:29,287 BUT YOU CAN BEST BELIEVE, 103 00:02:29,287 --> 00:02:31,151 SLEAZY and ZINO'’S WILL BE OPEN 104 00:02:31,151 --> 00:02:32,428 FOR BUSINESS. 105 00:02:32,428 --> 00:02:33,118 HEY, MAYBE YOU GUYS 106 00:02:33,118 --> 00:02:34,292 SHOULD GIVE ME MY OWN NIGHT. 107 00:02:34,292 --> 00:02:35,258 IT'’LL BE SOMETHING LIKE 108 00:02:35,258 --> 00:02:36,604 STUDIO 54. 109 00:02:36,604 --> 00:02:37,433 IF YOU'’RE NOT THE BADDEST 110 00:02:37,433 --> 00:02:38,744 IN TOWN, IF YOU AIN'’T GOT ON 111 00:02:38,744 --> 00:02:39,745 THE BEST OUTFIT, 112 00:02:39,745 --> 00:02:40,677 YOU CAN'’T COME IN THE CLUB. 113 00:02:40,677 --> 00:02:41,644 DAMN RIGHT, I'’M GONNA HAVE 114 00:02:41,644 --> 00:02:42,852 MY OWN NIGHT, '’CAUSE I'’M 115 00:02:42,852 --> 00:02:43,715 THE BADDEST BOUGE. 116 00:02:43,715 --> 00:02:44,716 I'’M A GREAT DANCER. 117 00:02:44,716 --> 00:02:45,889 I'’M A GREAT PRODUCER. 118 00:02:45,889 --> 00:02:47,236 I'’M A GREAT HOSTESS. 119 00:02:47,236 --> 00:02:47,926 AND GUESS WHAT. 120 00:02:47,926 --> 00:02:48,616 EVERYBODY WANT TO SEE 121 00:02:48,616 --> 00:02:49,272 ALL OF THIS. 122 00:02:49,272 --> 00:02:50,204 I'’M GONNA BE SINGING 123 00:02:50,204 --> 00:02:50,963 ONCE A WEEK-- 124 00:02:50,963 --> 00:02:52,344 HELL, THE WAY I FEEL, 125 00:02:52,344 --> 00:02:53,276 MAYBE EVERY DAY. 126 00:02:53,276 --> 00:02:54,243 I'’M JUST HERE FOR PEOPLE 127 00:02:54,243 --> 00:02:56,279 TO SEE ALL OF THIS. 128 00:02:56,279 --> 00:02:57,280 DO I GET A NIGHT? 129 00:02:57,280 --> 00:02:58,350 YEAH, YOUR NIGHT'’S MY NIGHT. 130 00:02:58,350 --> 00:02:59,075 OH, OKAY. 131 00:02:59,075 --> 00:03:00,214 KNOW WHAT I'’M SAYIN'’? 132 00:03:00,214 --> 00:03:01,560 BITCH, PLEASE. 133 00:03:01,560 --> 00:03:02,906 I KNOW YOU THINK YOU A SINGER, 134 00:03:02,906 --> 00:03:04,184 BUT THERE IS ONLY ONE BITCH 135 00:03:04,184 --> 00:03:06,565 THAT GET A NIGHT, AND THAT'’S ME. 136 00:03:06,565 --> 00:03:07,290 WELL, COME ON, ALTHEA, 137 00:03:07,290 --> 00:03:07,980 LET'’S LOOK AT-- 138 00:03:07,980 --> 00:03:08,843 LET ME SEE WHERE I WOULD PUT 139 00:03:08,843 --> 00:03:09,879 MY PICTURE AT. 140 00:03:09,879 --> 00:03:11,191 [laughter] 141 00:03:11,191 --> 00:03:13,607 I LOVE TO SEE YOU WALK AWAY. 142 00:03:13,607 --> 00:03:14,677 OH, STEVIE. 143 00:03:14,677 --> 00:03:16,679 [bleep], MAN, WE LUCKY. 144 00:03:16,679 --> 00:03:17,335 YOU KNOW WHAT? 145 00:03:17,335 --> 00:03:18,888 SHE'’S THE ONE. 146 00:03:18,888 --> 00:03:20,303 I'’M--I'’M THINKING ABOUT GIVING 147 00:03:20,303 --> 00:03:21,753 HER A RING IN A COUPLE OF WEEKS. 148 00:03:21,753 --> 00:03:23,237 THEN I WANT TO GET MARRIED ASAP. 149 00:03:23,237 --> 00:03:23,927 YOU DON'’T THINK 150 00:03:23,927 --> 00:03:24,894 YOU'’RE MOVING FAST, EAZE? 151 00:03:24,894 --> 00:03:25,860 I'’M NOT MOVING FAST ENOUGH. 152 00:03:25,860 --> 00:03:26,516 YOU'’RE NOT MOVING 153 00:03:26,516 --> 00:03:27,207 FAST ENOUGH? 154 00:03:27,207 --> 00:03:27,966 LISTEN, AT THIS POINT, 155 00:03:27,966 --> 00:03:29,036 I KNOW WHO'’S THE ONE 156 00:03:29,036 --> 00:03:30,002 AND WHO'’S NOT THE ONE. 157 00:03:30,002 --> 00:03:30,969 LIKE, YOU KNOW WHAT I'’M SAYIN'’? 158 00:03:30,969 --> 00:03:32,177 WELL, EVEN WITH KARLIE, 159 00:03:32,177 --> 00:03:32,867 IT WENT FAST. 160 00:03:32,867 --> 00:03:34,421 WHO? WHO? 161 00:03:34,421 --> 00:03:35,629 I'’M LIKE--BUT I'’M JUST SAYING 162 00:03:35,629 --> 00:03:36,768 THAT WAS FAST. 163 00:03:36,768 --> 00:03:37,700 NO, AS A BRO... 164 00:03:37,700 --> 00:03:38,390 RIGHT. 165 00:03:38,390 --> 00:03:39,219 I'’MA TELL YOU JUST TAKE 166 00:03:39,219 --> 00:03:40,289 YOUR TIME, MAN. 167 00:03:40,289 --> 00:03:41,117 THE DIFFERENCE BETWEEN 168 00:03:41,117 --> 00:03:41,980 KARLIE AND ALTHEA 169 00:03:41,980 --> 00:03:43,084 IS LIKE NIGHT AND DAY. 170 00:03:43,084 --> 00:03:44,154 I REALLY FEEL LIKE ALTHEA'’S 171 00:03:44,154 --> 00:03:46,122 MY SOUL MATE, SO WHY WAIT? 172 00:03:46,122 --> 00:03:46,778 HE'’S A GOOD CATCH. 173 00:03:46,778 --> 00:03:47,434 YEAH. 174 00:03:47,434 --> 00:03:48,124 I'’MA TELL YOU THAT. 175 00:03:48,124 --> 00:03:48,780 HE'’S A GOOD CATCH. 176 00:03:48,780 --> 00:03:49,436 MM-HMM, MM-HMM. 177 00:03:49,436 --> 00:03:50,126 HOW LONG HAVE YOU GUYS 178 00:03:50,126 --> 00:03:50,954 BEEN DATIN'’? 179 00:03:50,954 --> 00:03:52,266 WE'’VE BEEN DATING, FOR NOW, 180 00:03:52,266 --> 00:03:54,095 LIKE SIX MONTHS. 181 00:03:54,095 --> 00:03:55,614 FOR A WHILE, I WAS, YOU KNOW, 182 00:03:55,614 --> 00:03:56,477 RUNNIN'’ HIM, BUT THEN I WAS 183 00:03:56,477 --> 00:03:57,375 LIKE--I THOUGHT HE WAS 184 00:03:57,375 --> 00:03:58,341 WITH KARLIE. 185 00:03:58,341 --> 00:03:59,377 I MEAN, WHO GIVES A [bleep] 186 00:03:59,377 --> 00:04:00,412 IF THE BITCH WAS DATING HIM 187 00:04:00,412 --> 00:04:01,102 AND YOU WANT HIM? 188 00:04:01,102 --> 00:04:01,758 LIKE... 189 00:04:01,758 --> 00:04:02,483 YEAH, BUT I JUST WANTED 190 00:04:02,483 --> 00:04:03,208 TO MAKE SURE THAT IT 191 00:04:03,208 --> 00:04:04,105 WAS OVER WITH. 192 00:04:04,105 --> 00:04:05,106 BETWEEN ME AND YOU... 193 00:04:05,106 --> 00:04:05,935 MM. 194 00:04:05,935 --> 00:04:07,074 SHE IS AFTER MONEY. 195 00:04:07,074 --> 00:04:07,764 MM. 196 00:04:07,764 --> 00:04:09,835 AND SHE WILL COME BACK 197 00:04:09,835 --> 00:04:11,389 WHENEVER THE DOORS ARE OPEN. 198 00:04:11,389 --> 00:04:12,252 [grunts] 199 00:04:12,252 --> 00:04:12,942 YOU KNOW HOW THESE 200 00:04:12,942 --> 00:04:13,598 LIKE TO PLAY. 201 00:04:13,598 --> 00:04:14,530 YOU GOT TO WATCH THEM. 202 00:04:14,530 --> 00:04:15,565 MM. 203 00:04:15,565 --> 00:04:16,256 [both laughing] 204 00:04:16,256 --> 00:04:17,498 ALTHEA SHOULD WATCH OUT 205 00:04:17,498 --> 00:04:18,672 FOR THAT SNAKE ON THE GROUND, 206 00:04:18,672 --> 00:04:19,811 MISS KARLIE REDD, 207 00:04:19,811 --> 00:04:21,191 '’CAUSE SHE GOT SOME TRICKS. 208 00:04:21,191 --> 00:04:22,262 DO YOU AND MIMI GET ALONG? 209 00:04:22,262 --> 00:04:22,952 SHE'’S NOT ALLOWED 210 00:04:22,952 --> 00:04:23,608 IN MY HOUSE. 211 00:04:23,608 --> 00:04:24,471 AND THEN HER BOYFRIEND... 212 00:04:24,471 --> 00:04:25,161 WHO? 213 00:04:25,161 --> 00:04:25,817 NIKKO. 214 00:04:25,817 --> 00:04:26,645 FREAKO? OH, PORN STAR. 215 00:04:26,645 --> 00:04:27,957 [laughing] YOU SAID FREAKO. 216 00:04:27,957 --> 00:04:29,027 YEAH, HE'’S A PORN STAR. 217 00:04:29,027 --> 00:04:29,752 WE MIGHT'’VE HUNG OUT, 218 00:04:29,752 --> 00:04:30,960 LIKE, BACK IN THE DAY... 219 00:04:30,960 --> 00:04:31,616 YEAH. 220 00:04:31,616 --> 00:04:32,272 BACK IN THE DAY, 221 00:04:32,272 --> 00:04:32,962 LIKE IN A PAST LIFE. 222 00:04:32,962 --> 00:04:33,618 WAIT. HOLD UP. 223 00:04:33,618 --> 00:04:34,274 SO YOU... 224 00:04:34,274 --> 00:04:35,447 [giggling] 225 00:04:35,447 --> 00:04:36,414 I'’M NOT SURPRISED NIKKO 226 00:04:36,414 --> 00:04:38,001 SMASHED ALTHEA, '’CAUSE I HEAR 227 00:04:38,001 --> 00:04:39,486 ALTHEA GETS AROUND THE BLOCK. 228 00:04:39,486 --> 00:04:40,210 I FORGOT... 229 00:04:40,210 --> 00:04:40,866 HOW DOES IT FEEL 230 00:04:40,866 --> 00:04:42,454 TO HAVE PORN [bleep]? 231 00:04:42,454 --> 00:04:43,559 [laughing] 232 00:04:43,559 --> 00:04:44,249 LIKE I SAID, 233 00:04:44,249 --> 00:04:45,940 THAT'’S MY PAST LIFE, YOU KNOW. 234 00:04:45,940 --> 00:04:46,734 BENZINO KNOWS EVERYTHING. 235 00:04:46,734 --> 00:04:47,528 LIKE, I TELL HIM EVERYTHING. 236 00:04:47,528 --> 00:04:48,667 OH, I HOPE HE DO. 237 00:04:48,667 --> 00:04:49,323 BUT, YEAH. 238 00:04:49,323 --> 00:04:50,151 HOW DO YOU THINK MIMI FEELS 239 00:04:50,151 --> 00:04:50,807 ABOUT THAT? 240 00:04:50,807 --> 00:04:51,463 DOES SHE KNOW? 241 00:04:51,463 --> 00:04:52,153 I KNOW SHE WOULD 242 00:04:52,153 --> 00:04:52,809 PROBABLY BE LIKE... 243 00:04:52,809 --> 00:04:53,500 I MEAN, THAT'’S HER MAN. 244 00:04:53,500 --> 00:04:54,190 THAT'’S HER MAN. 245 00:04:54,190 --> 00:04:54,811 I MEAN, BUT, YOU KNOW... 246 00:04:54,811 --> 00:04:55,467 YEAH, YOU'’RE RIGHT. 247 00:04:55,467 --> 00:04:56,192 I'’M JUST, YOU KNOW... 248 00:04:56,192 --> 00:04:57,193 I MEAN, WHAT CAN YOU DO? 249 00:04:57,193 --> 00:04:57,849 I'’M SURE A LOT OF PEOPLE 250 00:04:57,849 --> 00:04:58,677 SUCKED EACH OTHER [bleep]. 251 00:04:58,677 --> 00:04:59,437 YOU KNOW WHAT I'’M SAYIN'’? 252 00:04:59,437 --> 00:05:00,645 EXACTLY. THAT'’S LIFE. 253 00:05:00,645 --> 00:05:01,335 IT'’S COOL. 254 00:05:01,335 --> 00:05:02,612 I WONDER IF MIMI KNOWS 255 00:05:02,612 --> 00:05:03,337 THAT SHE'’S SMASHING 256 00:05:03,337 --> 00:05:04,580 ALTHEA'’S LEFTOVER. 257 00:05:04,580 --> 00:05:05,753 I MEAN, I GUESS THE PORN [bleep] 258 00:05:05,753 --> 00:05:06,616 HAS BEEN GETTING A LOT 259 00:05:06,616 --> 00:05:08,100 OF PRACTICE. 260 00:05:08,100 --> 00:05:08,791 Y'’ALL BETTER BE TALKING 261 00:05:08,791 --> 00:05:09,619 ABOUT SOME MORE MONEY, 262 00:05:09,619 --> 00:05:11,138 '’CAUSE MAMA NEEDS IT. 263 00:05:11,138 --> 00:05:11,794 YEAH. 264 00:05:11,794 --> 00:05:12,967 MMM. 265 00:05:12,967 --> 00:05:13,658 SO WHAT WAS Y'’ALL 266 00:05:13,658 --> 00:05:14,521 TALKIN'’ ABOUT? 267 00:05:14,521 --> 00:05:15,832 TALKIN'’ ABOUT EVERYTHING. 268 00:05:15,832 --> 00:05:16,488 WHAT'’S EVERYTHING? 269 00:05:16,488 --> 00:05:17,317 WELL, I KNOW WE UP. 270 00:05:17,317 --> 00:05:18,387 WE GONNA TALK ABOUT SOME MORE 271 00:05:18,387 --> 00:05:19,664 CHAMPAGNE IN YOUR CUP. 272 00:05:19,664 --> 00:05:21,390 I'’VE NEVER FELT BETTER. 273 00:05:21,390 --> 00:05:23,219 I MEAN, WE GOT THE MAGAZINE. 274 00:05:23,219 --> 00:05:24,462 ME AND SLEAZO GOT OUR LADIES 275 00:05:24,462 --> 00:05:25,186 BEHIND US. 276 00:05:25,186 --> 00:05:26,291 IT'’S GONNA BE THE GRAND OPENING 277 00:05:26,291 --> 00:05:29,639 OF SLEAZY and ZINO'’S BISTRO 278 00:05:29,639 --> 00:05:30,744 I DON'’T THINK THE A'’S READY 279 00:05:30,744 --> 00:05:31,814 FOR THIS. 280 00:05:31,814 --> 00:05:32,815 TO THE BADDEST BITCHES 281 00:05:32,815 --> 00:05:33,609 IN THIS MOTHER[bleep]. 282 00:05:33,609 --> 00:05:34,334 OOH! 283 00:05:34,334 --> 00:05:37,095 YEAH! 284 00:05:37,095 --> 00:05:41,513 SLEAZY and ZINO. 285 00:05:41,513 --> 00:05:42,480 OKAY, SO IT'’LL BE RIGHT HERE 286 00:05:42,480 --> 00:05:43,446 IN ROOM FOUR. 287 00:05:43,446 --> 00:05:44,861 THANK YOU. 288 00:05:44,861 --> 00:05:46,035 I TOLD KIRK ABOUT THE TRIP 289 00:05:46,035 --> 00:05:47,416 TO NEW ORLEANS THAT I'’M TAKING 290 00:05:47,416 --> 00:05:49,038 WITH KALENNA AND KARLIE, 291 00:05:49,038 --> 00:05:50,004 AND, OF COURSE, HE'’S SHOOTING 292 00:05:50,004 --> 00:05:51,558 IT DOWN BECAUSE HE'’S A [bleep] 293 00:05:51,558 --> 00:05:52,282 HYPOCRITE. 294 00:05:52,282 --> 00:05:53,145 IT WAS FINE WHEN HE TOOK 295 00:05:53,145 --> 00:05:54,492 HIS LITTLE TRIP TO THE CABIN 296 00:05:54,492 --> 00:05:56,252 LAST YEAR WITH HIS HOMEBOYS, 297 00:05:56,252 --> 00:05:57,564 BUT NOW THAT RASHEEDA 298 00:05:57,564 --> 00:05:58,703 WANTS TO TAKE A TRIP, 299 00:05:58,703 --> 00:06:00,360 OH, HE GOT A PROBLEM WITH IT. 300 00:06:00,360 --> 00:06:01,084 I AIN'’T TRYIN'’ TO HEAR 301 00:06:01,084 --> 00:06:02,051 THAT [bleep]. 302 00:06:02,051 --> 00:06:03,293 I WAS JUST THINKING ABOUT 303 00:06:03,293 --> 00:06:05,503 THE WHOLE YOU AND YOUR GIRLS 304 00:06:05,503 --> 00:06:06,780 GOING ON VACATION THING. 305 00:06:06,780 --> 00:06:07,436 I DON'’T THINK THE TIMING 306 00:06:07,436 --> 00:06:08,126 IS RIGHT. 307 00:06:08,126 --> 00:06:10,577 I DON'’T THINK FINANCIALLY 308 00:06:10,577 --> 00:06:11,785 YOU CAN AFFORD TO DO ALL THAT 309 00:06:11,785 --> 00:06:12,475 RIGHT NOW. 310 00:06:12,475 --> 00:06:13,683 IF I COULDN'’T FINANCIALLY 311 00:06:13,683 --> 00:06:15,098 AFFORD IT, I WOULDN'’T GO. 312 00:06:15,098 --> 00:06:15,789 BUT WHAT ABOUT KARTER, 313 00:06:15,789 --> 00:06:16,445 THOUGH? 314 00:06:16,445 --> 00:06:18,619 LIKE, YOU JUST GONNA LEAVE HIM 315 00:06:18,619 --> 00:06:20,725 AND PARTY IT UP? 316 00:06:20,725 --> 00:06:21,898 YOU ARE KARTER'’S FATHER, 317 00:06:21,898 --> 00:06:23,728 AND YOU TAKE CARE OF HIM WELL. 318 00:06:23,728 --> 00:06:25,523 AND PLUS, MAMA, I MEAN, 319 00:06:25,523 --> 00:06:26,627 I HAD ALREADY TALKED TO HER 320 00:06:26,627 --> 00:06:28,284 ABOUT MAYBE NEEDING HER 321 00:06:28,284 --> 00:06:30,390 TO WATCH ALL Y'’ALL, REALLY. 322 00:06:30,390 --> 00:06:31,183 BUT I WANT TO GO-- 323 00:06:31,183 --> 00:06:32,564 I FEEL LIKE I DESERVE 324 00:06:32,564 --> 00:06:33,462 A VACATION. 325 00:06:33,462 --> 00:06:34,635 I DESERVE A BREAK. 326 00:06:34,635 --> 00:06:35,912 I MEAN, PLUS, I THINK MAYBE 327 00:06:35,912 --> 00:06:36,810 A LITTLE TIME APART WOULD HELP-- 328 00:06:36,810 --> 00:06:38,743 THIS IS--OKAY, WELL... 329 00:06:38,743 --> 00:06:40,330 US AS WELL. 330 00:06:40,330 --> 00:06:41,297 MAYBE YOU WILL REALIZE, 331 00:06:41,297 --> 00:06:42,816 WHAT YOU NEED TO BE 332 00:06:42,816 --> 00:06:43,644 CONCENTRATING ON 333 00:06:43,644 --> 00:06:46,406 IS ALL OF THIS RIGHT HERE. 334 00:06:46,406 --> 00:06:47,199 HI, GUYS. HOW'’S IT GOING? 335 00:06:47,199 --> 00:06:48,338 HEY, DR. SHU. HOW ARE YOU? 336 00:06:48,338 --> 00:06:49,029 GOOD TO SEE YOU. 337 00:06:49,029 --> 00:06:49,685 HELLO, HELLO. 338 00:06:49,685 --> 00:06:50,375 GOOD TO SEE YOU. 339 00:06:50,375 --> 00:06:51,618 HOW'’S OUR BIG GUY DOING? 340 00:06:51,618 --> 00:06:52,895 I'’M REALLY STILL NOT HAPPY 341 00:06:52,895 --> 00:06:54,724 ABOUT RASHEEDA WANTING TO JUST 342 00:06:54,724 --> 00:06:56,381 TAKE THIS VACATION, 343 00:06:56,381 --> 00:06:57,209 BUT THERE'’S ONE THING 344 00:06:57,209 --> 00:06:57,900 I'’M GONNA BE ABLE TO PUT 345 00:06:57,900 --> 00:06:58,763 A STOP TO WHILE WE 346 00:06:58,763 --> 00:07:00,005 AT THE DOCTOR'’S OFFICE. 347 00:07:00,005 --> 00:07:01,731 I HAVE QUESTIONS ABOUT HIM 348 00:07:01,731 --> 00:07:04,527 BEING KISSED IN THE MOUTH, 349 00:07:04,527 --> 00:07:05,252 LIKE, LITERALLY. 350 00:07:05,252 --> 00:07:06,564 WHAT'’S HE'’S SAYING IS MY MOM, 351 00:07:06,564 --> 00:07:07,703 HIS GRANDMOTHER... 352 00:07:07,703 --> 00:07:08,428 OKAY. 353 00:07:08,428 --> 00:07:09,912 SHE'’LL SOMETIMES KISS HIM 354 00:07:09,912 --> 00:07:10,568 IN THE MOUTH. 355 00:07:10,568 --> 00:07:11,707 WHEN YOU'’RE A LITTLE BABY, 356 00:07:11,707 --> 00:07:12,777 YOUR IMMUNE SYSTEM REALLY 357 00:07:12,777 --> 00:07:13,433 ISN'’T THAT GOOD. 358 00:07:13,433 --> 00:07:14,123 RIGHT. 359 00:07:14,123 --> 00:07:15,642 SO FOR THE FIRST FEW MONTHS, 360 00:07:15,642 --> 00:07:16,850 IT IS REALLY POSSIBLE 361 00:07:16,850 --> 00:07:18,679 FOR A BABY TO GET VERY SICK 362 00:07:18,679 --> 00:07:19,991 FROM SOMEBODY ELSE'’S GERMS, 363 00:07:19,991 --> 00:07:20,854 ESPECIALLY IF THEY'’RE COMING 364 00:07:20,854 --> 00:07:21,855 STRAIGHT FROM THE MOUTH. 365 00:07:21,855 --> 00:07:23,028 AS A PRECAUTION, 366 00:07:23,028 --> 00:07:24,547 YOU MAY WANT TO MAKE IT A RULE 367 00:07:24,547 --> 00:07:25,652 THAT NOBODY KISSES HIM 368 00:07:25,652 --> 00:07:26,515 ON THE MOUTH. 369 00:07:26,515 --> 00:07:27,447 YOU SEE? 370 00:07:27,447 --> 00:07:29,103 I TOLD RASHEEDA HER MOM 371 00:07:29,103 --> 00:07:31,416 SHOULD NOT BE KISSING ON KARTER, 372 00:07:31,416 --> 00:07:33,867 BUT NOBODY WANTED TO BELIEVE ME. 373 00:07:33,867 --> 00:07:35,178 BUT DADDY KNOWS BEST. 374 00:07:35,178 --> 00:07:35,834 THANK YOU. 375 00:07:35,834 --> 00:07:36,490 ALL RIGHT, TAKE CARE. 376 00:07:36,490 --> 00:07:37,180 ALL RIGHT, YOU TOO. 377 00:07:37,180 --> 00:07:37,836 BYE-BYE. 378 00:07:37,836 --> 00:07:38,630 YOU TOO, THANK YOU. 379 00:07:38,630 --> 00:07:39,838 YOU'’RE WELCOME. 380 00:07:39,838 --> 00:07:40,494 SEE? 381 00:07:40,494 --> 00:07:41,461 LET ME PUT THIS ON. 382 00:07:41,461 --> 00:07:42,565 EVERYTHING IS GOOD. 383 00:07:42,565 --> 00:07:43,911 WELL... 384 00:07:43,911 --> 00:07:45,672 TRY TO TALK TO MAMA... 385 00:07:45,672 --> 00:07:46,776 I'’M DEFINITELY GONNA TALK 386 00:07:46,776 --> 00:07:47,467 TO HER ABOUT IT. 387 00:07:47,467 --> 00:07:48,226 IN A NICE WAY. 388 00:07:48,226 --> 00:07:48,882 YES. 389 00:07:48,882 --> 00:07:49,538 LET'’S GO. 390 00:07:49,538 --> 00:07:50,228 LET'’S GET OUT OF HERE. 391 00:07:50,228 --> 00:07:50,884 WE GOT TO GO. 392 00:07:50,884 --> 00:07:52,023 I GOT THINGS TO DO. 393 00:07:52,023 --> 00:07:54,991 [thunder rumbling] 394 00:07:54,991 --> 00:07:58,926 [rain pattering] 395 00:07:58,926 --> 00:08:01,791 [thunder crashes] 396 00:08:01,791 --> 00:08:04,691 HOW HAVE YOU BEEN, DEB? 397 00:08:04,691 --> 00:08:06,106 HAD A REAL MELTDOWN 398 00:08:06,106 --> 00:08:07,417 YESTERDAY, 399 00:08:07,417 --> 00:08:08,626 EVEN TO THE PLACE SOMETIMES 400 00:08:08,626 --> 00:08:09,523 NOT EVEN WANTING TO BE 401 00:08:09,523 --> 00:08:10,386 IN THIS HOUSE. 402 00:08:10,386 --> 00:08:11,352 IT FEEL DIFFERENT. 403 00:08:11,352 --> 00:08:12,112 IT FEELS WEIRD. 404 00:08:12,112 --> 00:08:12,768 YEAH. 405 00:08:12,768 --> 00:08:13,493 YEAH, THAT'’S TRUE. 406 00:08:13,493 --> 00:08:15,460 IT'’S CRAZY. 407 00:08:15,460 --> 00:08:24,504 [somber piano music] 408 00:08:24,504 --> 00:08:26,333 ♪ 409 00:08:26,333 --> 00:08:30,302 MY SON, CAODES SCOTT, 410 00:08:30,302 --> 00:08:32,891 COMMITTED SUICIDE. 411 00:08:32,891 --> 00:08:35,894 KAYO, OUT OF MY FIVE SONS, 412 00:08:35,894 --> 00:08:38,103 WAS LIKE THE MOST LOVINGEST 413 00:08:38,103 --> 00:08:40,934 CHILD YOU EVER, EVER WANTED 414 00:08:40,934 --> 00:08:44,213 TO SEE, VERY UNDERSTANDING... 415 00:08:44,213 --> 00:08:45,490 [sighs] 416 00:08:45,490 --> 00:08:46,629 REALLY, A GOOD KID. 417 00:08:46,629 --> 00:08:47,388 HE WAS YOUNGER, 418 00:08:47,388 --> 00:08:48,838 SO I COULD STILL BABY HIM, 419 00:08:48,838 --> 00:08:51,738 AND I MISS MY SON, 420 00:08:51,738 --> 00:08:52,808 MY FRIEND. 421 00:08:52,808 --> 00:08:55,431 IT'’S RAINING HARD OUTSIDE. 422 00:08:55,431 --> 00:08:56,639 YOU CAN LOOK AT IT AS RAIN, 423 00:08:56,639 --> 00:08:58,607 OR YOU CAN LOOK AT IT AS TEARS. 424 00:08:58,607 --> 00:08:59,953 [sighs] 425 00:08:59,953 --> 00:09:01,575 IT FEEL WEIRD TO SIT HERE 426 00:09:01,575 --> 00:09:02,749 AND GO THROUGH THIS. 427 00:09:02,749 --> 00:09:03,543 IT'’S SOMETHING YOU AIN'’T 428 00:09:03,543 --> 00:09:04,509 SUPPOSED TO BE TALKIN'’ ABOUT, 429 00:09:04,509 --> 00:09:05,165 MAN. 430 00:09:05,165 --> 00:09:06,028 THAT'’S WHAT I'’M TRYIN'’ 431 00:09:06,028 --> 00:09:07,650 TO TELL Y'’ALL. 432 00:09:07,650 --> 00:09:12,310 YOU CAN'’T PUSH IT LIKE 433 00:09:12,310 --> 00:09:14,346 IT'’S NOT--NOTHING HAPPENING. 434 00:09:14,346 --> 00:09:15,382 WAKA DOESN'’T DEAL WITH DEATH 435 00:09:15,382 --> 00:09:17,349 VERY WELL, 436 00:09:17,349 --> 00:09:18,765 SO HIS DEALIN'’ IS TO STAY AWAY 437 00:09:18,765 --> 00:09:20,905 FROM THINGS. 438 00:09:20,905 --> 00:09:22,631 HE DON'’T DEAL GOOD AT ALL. 439 00:09:22,631 --> 00:09:24,080 MOTHER'’S DAY, 440 00:09:24,080 --> 00:09:26,013 I LEFT MY DOOR OPEN 441 00:09:26,013 --> 00:09:28,188 THE NIGHT BEFORE, AND I WAS 442 00:09:28,188 --> 00:09:31,363 WAITING FOR HIM TO SAY, 443 00:09:31,363 --> 00:09:32,295 "GOOD MORNING, BEAUTIFUL." 444 00:09:32,295 --> 00:09:37,577 ♪ 445 00:09:37,577 --> 00:09:38,923 THIS CONVERSATION IS CRAZY, 446 00:09:38,923 --> 00:09:41,028 DEFINITELY. 447 00:09:41,028 --> 00:09:45,861 YOUR BOY CAN'’T DO THAT. 448 00:09:45,861 --> 00:09:49,105 YOUR BOY CAN'’T HANDLE THAT. 449 00:09:49,105 --> 00:09:52,592 ♪ 450 00:09:52,592 --> 00:09:53,282 [thunder rumbles] 451 00:09:53,282 --> 00:09:54,904 IT'’S NOT LIKE KAYO JUST-- 452 00:09:54,904 --> 00:09:56,596 EVEN TO TALK ABOUT COMMITTING 453 00:09:56,596 --> 00:09:57,700 SUICIDE, I MEAN, JUST, IT-- 454 00:09:57,700 --> 00:09:58,598 THE CIRCUMSTANCE, EVERYTHING 455 00:09:58,598 --> 00:09:59,495 SURROUNDING IT IS DIFFERENT. 456 00:09:59,495 --> 00:10:00,358 I DON'’T KNOW OF ANYBODY WHO LOST 457 00:10:00,358 --> 00:10:01,462 SOMEBODY WHO EVER DID THAT, 458 00:10:01,462 --> 00:10:02,498 BUT IT'’S LIKE REALLY HARD 459 00:10:02,498 --> 00:10:04,638 TO DEAL WITH. 460 00:10:04,638 --> 00:10:05,466 YOU CAN NEVER UNDERSTAND IT. 461 00:10:05,466 --> 00:10:06,329 YOU STILL DON'’T UNDERSTAND IT. 462 00:10:06,329 --> 00:10:07,158 YEAH, THE NIGHT BEFORE, 463 00:10:07,158 --> 00:10:08,608 HE SAT RIGHT THERE AT THE TABLE 464 00:10:08,608 --> 00:10:09,401 AND PLANNED HIS-- 465 00:10:09,401 --> 00:10:11,093 HE PLANNED HIS FUNERAL. 466 00:10:11,093 --> 00:10:12,301 HE WAS LIKE, "WELL, GET READY, 467 00:10:12,301 --> 00:10:14,821 DEBBIE." 468 00:10:14,821 --> 00:10:16,305 AND I'’M LIKE, 469 00:10:16,305 --> 00:10:17,547 "SNOOP, THAT AIN'’T FUNNY." 470 00:10:17,547 --> 00:10:18,410 AND I WALKED BACK IN HERE, 471 00:10:18,410 --> 00:10:20,102 AND MY EYES WAS LIKE WATER. 472 00:10:20,102 --> 00:10:21,448 HE LIKE, "BYE-BYE," KISSED ME. 473 00:10:21,448 --> 00:10:23,899 HE SAID, "YOU KNOW I LOVE YOU." 474 00:10:23,899 --> 00:10:26,591 AND IT WAS CRAZY, 475 00:10:26,591 --> 00:10:28,697 BUT NOBODY KNEW THAT 476 00:10:28,697 --> 00:10:30,077 WE WAS GONNA GO THROUGH 477 00:10:30,077 --> 00:10:33,046 EXACTLY WHAT WE WENT THROUGH. 478 00:10:33,046 --> 00:10:34,254 HE WAS LOSING HIS SIGHT, 479 00:10:34,254 --> 00:10:36,946 SO HE WAS LEGALLY BLIND, 480 00:10:36,946 --> 00:10:37,844 BUT HE DIDN'’T LIKE ANYBODY 481 00:10:37,844 --> 00:10:39,121 TO GIVE HIM ANYTHING. 482 00:10:39,121 --> 00:10:40,087 YOU KNOW, HE WANTED 483 00:10:40,087 --> 00:10:40,985 TO BE THE GIVER. 484 00:10:40,985 --> 00:10:41,951 HE WANTED TO TAKE CARE 485 00:10:41,951 --> 00:10:42,849 OF PEOPLE. 486 00:10:42,849 --> 00:10:44,402 KAYO WAS A CHILD THAT DIDN'’T 487 00:10:44,402 --> 00:10:46,231 WANT YOU TO DO ANYTHING FOR HIM, 488 00:10:46,231 --> 00:10:48,130 SO WHEN HIS SIGHT STARTED GOING 489 00:10:48,130 --> 00:10:49,062 AND THEN US COMING 490 00:10:49,062 --> 00:10:50,063 INTO THE INDUSTRY, 491 00:10:50,063 --> 00:10:50,960 HE STARTED HAVING TO WALK 492 00:10:50,960 --> 00:10:52,341 IN THE SHADOW OF ME, 493 00:10:52,341 --> 00:10:53,100 AND HE HAD TO WALK 494 00:10:53,100 --> 00:10:54,412 IN THE SHADOW OF WAKA. 495 00:10:54,412 --> 00:10:55,275 HE WAS VERY ANGRY ABOUT 496 00:10:55,275 --> 00:10:56,241 THE THINGS PEOPLE WOULD SAY 497 00:10:56,241 --> 00:10:56,932 ABOUT HIM, YOU KNOW, 498 00:10:56,932 --> 00:10:57,933 THE INTERNET STUFF, 499 00:10:57,933 --> 00:10:58,899 STUFF WITH WAKA, 500 00:10:58,899 --> 00:11:00,349 STUFF WITH HIS FAMILY, PERIOD. 501 00:11:00,349 --> 00:11:01,039 THERE WAS THINGS 502 00:11:01,039 --> 00:11:01,937 THAT HE COULDN'’T TAKE. 503 00:11:01,937 --> 00:11:04,733 [rain pattering] 504 00:11:04,733 --> 00:11:06,769 IT'’S SO MANY THINGS. 505 00:11:06,769 --> 00:11:09,461 IT'’S LIKE, ONE, HIS VISION. 506 00:11:09,461 --> 00:11:10,324 [thunder crashes] 507 00:11:10,324 --> 00:11:11,256 [exhales sharply] 508 00:11:11,256 --> 00:11:12,188 ALL RIGHT, I DON'’T THINK 509 00:11:12,188 --> 00:11:13,673 I CAN TAKE THAT. 510 00:11:13,673 --> 00:11:19,713 [thunder rumbling] 511 00:11:19,713 --> 00:11:22,509 [thunder crashing] 512 00:11:22,509 --> 00:11:24,166 HE JUST GAVE ME A SIGN, 513 00:11:24,166 --> 00:11:26,513 PROBABLY. 514 00:11:26,513 --> 00:11:29,102 KAYO IS STILL HERE WITH ME. 515 00:11:29,102 --> 00:11:30,620 HE'’S THE ONE TO HELP ME GET UP. 516 00:11:30,620 --> 00:11:31,621 HE LIFTS ME ON THAT 517 00:11:31,621 --> 00:11:33,002 "LET'’S GO, BEAUTIFUL." 518 00:11:38,456 --> 00:11:52,746 HE WAS HERE. 519 00:11:52,746 --> 00:11:54,403 [rapping indistinctly] 520 00:11:54,403 --> 00:11:55,680 ♪ AND MY BEST CHICK 521 00:11:55,680 --> 00:11:56,508 ♪ SHE FOREIGN 522 00:11:56,508 --> 00:11:57,475 ♪ I GOT BUSINESS 523 00:11:57,475 --> 00:11:58,441 ♪ WE GOT BUSINESS 524 00:11:58,441 --> 00:12:01,410 ♪ I GOT BUSINESS 525 00:12:01,410 --> 00:12:02,480 ♪ WE GOT BUSINESS 526 00:12:02,480 --> 00:12:05,310 ♪ I GOT BUSINESS 527 00:12:05,310 --> 00:12:06,415 ♪ WE GOT BUSINESS 528 00:12:06,415 --> 00:12:07,416 ♪ I GOT BUSINESS 529 00:12:07,416 --> 00:12:08,348 ♪ WE GOT BUSINESS 530 00:12:08,348 --> 00:12:09,521 ♪ I GOT BUSINESS 531 00:12:09,521 --> 00:12:10,522 HEY, I APPRECIATE Y'’ALL 532 00:12:10,522 --> 00:12:11,178 COMIN'’ OUT, MAN. 533 00:12:11,178 --> 00:12:11,834 WE KICKIN'’ IT. 534 00:12:11,834 --> 00:12:12,524 WE PLAYIN'’ HOME. 535 00:12:12,524 --> 00:12:13,180 [cheers and applause] 536 00:12:13,180 --> 00:12:16,011 ♪ I KNOW YOU AIN'’T NO JERSEY ♪ 537 00:12:16,011 --> 00:12:17,081 JOC IS HAVING A SHOWCASE 538 00:12:17,081 --> 00:12:18,047 TONIGHT, AND YOU KNOW I HAD 539 00:12:18,047 --> 00:12:19,186 TO COME OUT AND SUPPORT, 540 00:12:19,186 --> 00:12:19,980 EVEN THOUGH WE'’RE TRYING 541 00:12:19,980 --> 00:12:21,154 TO STILL WORK SOME THINGS OUT 542 00:12:21,154 --> 00:12:22,258 BETWEEN US. 543 00:12:22,258 --> 00:12:22,914 HEY, HEY. 544 00:12:22,914 --> 00:12:23,604 HEY. 545 00:12:23,604 --> 00:12:24,536 EVERYBODY, WHAT'’S HAPPENIN'’? 546 00:12:24,536 --> 00:12:25,192 HI, BABY. 547 00:12:25,192 --> 00:12:25,848 [smooches] 548 00:12:25,848 --> 00:12:26,538 GIRL. 549 00:12:26,538 --> 00:12:27,298 MM-HMM. 550 00:12:27,298 --> 00:12:29,403 JOC PROMISES THAT HE'’S DONE 551 00:12:29,403 --> 00:12:30,266 WITH THE SIDEPIECE, 552 00:12:30,266 --> 00:12:31,405 MISS PIGGY TELETUBBY, 553 00:12:31,405 --> 00:12:32,165 AND AS LONG AS IT STAYS 554 00:12:32,165 --> 00:12:33,097 THAT WAY, 555 00:12:33,097 --> 00:12:34,374 WE WON'’T HAVE ANY PROBLEMS. 556 00:12:34,374 --> 00:12:35,030 MR. FROST, HEY. 557 00:12:35,030 --> 00:12:36,514 GREAT WORK. CONGRATULATIONS. 558 00:12:36,514 --> 00:12:37,584 YOU KILLED THAT. 559 00:12:37,584 --> 00:12:38,343 I GOT TO GO DO, LIKE, 560 00:12:38,343 --> 00:12:39,241 SOME LITTLE DROPS RIGHT QUICK 561 00:12:39,241 --> 00:12:40,725 FOR THE DJ, SOME INTERVIEWS. 562 00:12:40,725 --> 00:12:41,588 I'’LL BE RIGHT BACK, A'’IGHT? 563 00:12:41,588 --> 00:12:43,003 SO... 564 00:12:43,003 --> 00:12:43,970 COME HERE RIGHT QUICK. 565 00:12:43,970 --> 00:12:44,902 I'’VE ACTUALLY KNOWN JOC 566 00:12:44,902 --> 00:12:46,110 FOR QUITE A WHILE NOW. 567 00:12:46,110 --> 00:12:47,111 WHEN HIM AND KARLIE REDD 568 00:12:47,111 --> 00:12:49,251 HOOKED UP, I WAS QUITE SHOCKED. 569 00:12:49,251 --> 00:12:50,045 I MEAN, KARLIE REDD 570 00:12:50,045 --> 00:12:51,149 IS A WHOLE HANDFUL, 571 00:12:51,149 --> 00:12:53,738 AND JOC IS A... 572 00:12:53,738 --> 00:12:54,912 BUSINESSMAN, YOU KNOW, 573 00:12:54,912 --> 00:12:56,776 HANDLING ALL TYPES OF, YOU KNOW, 574 00:12:56,776 --> 00:12:57,535 BUSINESSES. 575 00:12:57,535 --> 00:12:58,225 I WAS JUST LISTENING 576 00:12:58,225 --> 00:12:59,123 TO THEM LYRICS. 577 00:12:59,123 --> 00:13:00,089 I MEAN, IT'’S LIKE, 578 00:13:00,089 --> 00:13:01,401 "I GOT BUSINESSES." 579 00:13:01,401 --> 00:13:02,540 TELL ME ABOUT IT. 580 00:13:02,540 --> 00:13:03,230 THAT'’S WHAT I KIND OF 581 00:13:03,230 --> 00:13:03,886 BE SAYING. 582 00:13:03,886 --> 00:13:04,922 WHEN YOU A RAPPER, 583 00:13:04,922 --> 00:13:05,819 YOU GET A LOT OF THINGS 584 00:13:05,819 --> 00:13:06,578 THROWN AT YOU, 585 00:13:06,578 --> 00:13:07,234 '’CAUSE, YOU KNOW, GIRLS 586 00:13:07,234 --> 00:13:08,132 IS THROWING PANTIES. 587 00:13:08,132 --> 00:13:09,789 WHAT, Z'’S A RAPPER. 588 00:13:09,789 --> 00:13:11,135 BUT Z SEEMS LIKE HE'’S LOOKIN'’ 589 00:13:11,135 --> 00:13:12,274 FOR LOVE, YOU KNOW, AND-- 590 00:13:12,274 --> 00:13:13,413 HE CAN TAKE A SIP OF WINE 591 00:13:13,413 --> 00:13:14,103 AND BE IN LOVE. 592 00:13:14,103 --> 00:13:15,933 HE GOT A NEW GIRL. 593 00:13:15,933 --> 00:13:16,830 WHO KNOWS WHAT THE FUTURE HOLDS? 594 00:13:16,830 --> 00:13:18,038 OH, REALLY? 595 00:13:18,038 --> 00:13:19,350 SO ZINO HAS A NEW BOO. 596 00:13:19,350 --> 00:13:20,489 I ALWAYS KEEP A SOFT SPOT 597 00:13:20,489 --> 00:13:21,352 IN MY HEART FOR HIM. 598 00:13:21,352 --> 00:13:22,042 CAN'’T FRONT. 599 00:13:22,042 --> 00:13:22,836 WE DEFINITELY HAD 600 00:13:22,836 --> 00:13:23,975 SOME GOOD TIMES. 601 00:13:23,975 --> 00:13:26,598 ZINO, LIKE... 602 00:13:26,598 --> 00:13:28,117 I MISS HIM, LIKE... 603 00:13:28,117 --> 00:13:28,842 GOOD. 604 00:13:28,842 --> 00:13:30,775 HE COOKED, AND-- 605 00:13:30,775 --> 00:13:31,603 BUT I AIN'’T HAD TO WORRY 606 00:13:31,603 --> 00:13:32,915 ABOUT HIM WITH OTHER BUSINESSES. 607 00:13:32,915 --> 00:13:33,916 I KNEW HE WAS HOME. 608 00:13:33,916 --> 00:13:35,400 AND HE PUTS A LIGHT-UP SMILE 609 00:13:35,400 --> 00:13:37,851 ON YOUR FACE, SO, UH... 610 00:13:37,851 --> 00:13:38,783 YOU ARE... 611 00:13:38,783 --> 00:13:39,853 NO, I'’M SAYING 612 00:13:39,853 --> 00:13:40,612 I'’M LOOKING AT YOU. 613 00:13:40,612 --> 00:13:41,613 YOU LOOK--YOU'’RE GLOWING. 614 00:13:41,613 --> 00:13:43,339 YOU'’RE LOOKING LIKE, "UH." 615 00:13:43,339 --> 00:13:44,685 I'’M LIKE, "OKAY." 616 00:13:44,685 --> 00:13:45,963 SEE, I'’M WITH THAT. 617 00:13:45,963 --> 00:13:46,826 SPEAKING OF BENZINO, I KNOW 618 00:13:46,826 --> 00:13:47,861 THEY OPENING A RESTAURANT, 619 00:13:47,861 --> 00:13:49,000 HIM AND STEVIE, 620 00:13:49,000 --> 00:13:49,932 SLEAZY/ZINO'’S, 621 00:13:49,932 --> 00:13:51,313 AND I'’M LIKE, YOU KNOW, 622 00:13:51,313 --> 00:13:52,521 IF IT GOES WELL, YOU KNOW, 623 00:13:52,521 --> 00:13:53,315 I'’M GONNA BE IN THE BUILDING, 624 00:13:53,315 --> 00:13:54,557 YOU KNOW, KICKING IT, 625 00:13:54,557 --> 00:13:55,248 DOING MY THING. 626 00:13:55,248 --> 00:13:56,007 THINGS DIDN'’T WORK OUT 627 00:13:56,007 --> 00:13:57,422 BETWEEN ME AND BENZINO, 628 00:13:57,422 --> 00:13:59,252 BUT WE'’LL ALWAYS BE FRIENDS. 629 00:13:59,252 --> 00:13:59,942 AND NOW THAT I KNOW 630 00:13:59,942 --> 00:14:01,116 ABOUT HIS CLUB OPENING, 631 00:14:01,116 --> 00:14:02,358 I'’LL DEFINITELY BE THERE 632 00:14:02,358 --> 00:14:04,291 TO SUPPORT AND MAYBE EVEN MEET 633 00:14:04,291 --> 00:14:05,637 HIS NEW BOO. 634 00:14:05,637 --> 00:14:06,707 TELL RASHEEDA I LOVE HER. 635 00:14:06,707 --> 00:14:07,363 YOU KNOW I DO. 636 00:14:07,363 --> 00:14:08,019 I WILL SEE YOU. 637 00:14:08,019 --> 00:14:08,709 I'’M GETTING OUT OF HERE. 638 00:14:08,709 --> 00:14:09,365 I'’M LEAVING. 639 00:14:09,365 --> 00:14:12,127 ALL RIGHT, KISS KARTER 640 00:14:12,127 --> 00:14:15,682 FOR ME. 641 00:14:15,682 --> 00:14:17,028 WHOLE BUNCH OF BAD BITCHES 642 00:14:17,028 --> 00:14:18,236 RIGHT OUT HERE. 643 00:14:18,236 --> 00:14:19,306 DAMN. 644 00:14:19,306 --> 00:14:20,204 WONDER WHICH ONE OF Y'’ALL 645 00:14:20,204 --> 00:14:21,274 BITCHES GONNA GET A CHANCE 646 00:14:21,274 --> 00:14:23,517 TO CARRY THE ROYAL ASS. 647 00:14:23,517 --> 00:14:24,760 WHAT YOU DOING UP HERE? 648 00:14:24,760 --> 00:14:26,210 I NEVER SEEN IN ALL MY LIFE-- 649 00:14:26,210 --> 00:14:27,901 THESE SOME BAD BITCHES. 650 00:14:27,901 --> 00:14:28,868 I HIT SCRAPPY UP 651 00:14:28,868 --> 00:14:31,180 BECAUSE I LOVE FAST THINGS, 652 00:14:31,180 --> 00:14:32,492 I FEEL LIKE, YOU KNOW, 653 00:14:32,492 --> 00:14:33,424 AT THE END OF THE DAY, 654 00:14:33,424 --> 00:14:35,357 AFTER ALL OF MY HARD WORK 655 00:14:35,357 --> 00:14:36,876 AND TAKING CARE OF HIS BUSINESS, 656 00:14:36,876 --> 00:14:38,463 THAT'’S THE LEAST HE CAN DO, 657 00:14:38,463 --> 00:14:40,880 IS BUY MOMMA A SCOOTER. 658 00:14:40,880 --> 00:14:42,088 YOU KNOW, I DESERVE ONE. 659 00:14:42,088 --> 00:14:42,916 WHAT... 660 00:14:42,916 --> 00:14:43,848 ALL I'’VE BEEN THROUGH, 661 00:14:43,848 --> 00:14:45,229 YOU KNOW, WITH YOUR FEMALE 662 00:14:45,229 --> 00:14:46,955 PROBLEM, I NEED SOMETHING 663 00:14:46,955 --> 00:14:50,027 TO BUY MY TIME. 664 00:14:50,027 --> 00:14:50,751 WHY YOU IN THE MIDDLE 665 00:14:50,751 --> 00:14:51,407 OF IT, MA? 666 00:14:51,407 --> 00:14:53,547 LIKE, YOU AIN'’T GOT NO BUSINESS 667 00:14:53,547 --> 00:14:54,652 BEING IN THE MIDDLE OF IT. 668 00:14:54,652 --> 00:14:55,411 YOU GOT TO BE HONEST 669 00:14:55,411 --> 00:14:57,103 AND BE LIKE, "YEAH, SON, 670 00:14:57,103 --> 00:14:58,621 YOUR MOMMA GOT OUT OF LINE." 671 00:14:58,621 --> 00:15:00,934 YOU CAN'’T SAY THAT, CAN YOU? 672 00:15:00,934 --> 00:15:01,901 NO. 673 00:15:01,901 --> 00:15:02,556 RIGHT. 674 00:15:02,556 --> 00:15:03,868 MAN, YOU KNOW I LOVE MOMMA, 675 00:15:03,868 --> 00:15:06,733 BUT SHE CAN ALWAYS FIND HERSELF 676 00:15:06,733 --> 00:15:08,183 IN THE MIDDLE OF SOME CRAZY 677 00:15:08,183 --> 00:15:09,115 SHIZ-NAH-EE. 678 00:15:09,115 --> 00:15:10,737 I GO OUT OF TOWN FOR ONE WEEK, 679 00:15:10,737 --> 00:15:12,912 AND HOMEGIRL IS HAVING SIT-DOWNS 680 00:15:12,912 --> 00:15:14,672 WITH PINKETT AND BAMBI 681 00:15:14,672 --> 00:15:16,225 LIKE SHE HAVING BIG ROUNDTABLE 682 00:15:16,225 --> 00:15:17,606 MAFIA MEETINGS. 683 00:15:17,606 --> 00:15:18,503 SHE DONE CREATE A WHOLE BUNCH 684 00:15:18,503 --> 00:15:19,573 OF MESS I GOT TO COME THROUGH 685 00:15:19,573 --> 00:15:20,229 AND CLEAN UP. 686 00:15:20,229 --> 00:15:20,920 YOU WENT TO MIAMI... 687 00:15:20,920 --> 00:15:21,610 WHAT WERE YOU GONNA DO? 688 00:15:21,610 --> 00:15:22,369 AND I HAD TO SETTLE THIS-- 689 00:15:22,369 --> 00:15:23,025 I WAS GONNA LET STUFF 690 00:15:23,025 --> 00:15:23,715 COOL OFF. 691 00:15:23,715 --> 00:15:24,371 THEM CATTY BITCHES 692 00:15:24,371 --> 00:15:25,027 WAS GOING AT IT, WELL... 693 00:15:25,027 --> 00:15:25,717 I WAS GONNA LET STUFF 694 00:15:25,717 --> 00:15:26,373 COOL OFF. 695 00:15:26,373 --> 00:15:27,133 YOU KNOW WHAT I'’M SAYIN'’? 696 00:15:27,133 --> 00:15:27,996 I TRIED TO BE THE PEACEMAKER, 697 00:15:27,996 --> 00:15:28,858 BUT OBVIOUSLY, I CAN'’T BE-- 698 00:15:28,858 --> 00:15:31,240 AND DUMPED ALL THIS FOOD ON ME, 699 00:15:31,240 --> 00:15:32,276 ALL THIS FOOD, SO I'’M LIKE-- 700 00:15:32,276 --> 00:15:33,725 BUT--I MEAN, COME ON, 701 00:15:33,725 --> 00:15:34,657 GETTING THEM TWO TOGETHER 702 00:15:34,657 --> 00:15:36,073 TO DO A... 703 00:15:36,073 --> 00:15:37,246 WELL, BAMBI NEED TO SHUT UP 704 00:15:37,246 --> 00:15:38,213 AND LISTEN. 705 00:15:38,213 --> 00:15:39,939 AIN'’T EVEN GOT A BABY 706 00:15:39,939 --> 00:15:41,457 AND HAVING BABY MAMA PROBLEM. 707 00:15:41,457 --> 00:15:42,907 EH--YOU DID? 708 00:15:42,907 --> 00:15:43,804 WHEN I WAS OUT OF TOWN, 709 00:15:43,804 --> 00:15:44,840 I DONE HAD, YOU KNOW, 710 00:15:44,840 --> 00:15:46,462 A LITTLE TIME TO CLEAR MY HEAD 711 00:15:46,462 --> 00:15:47,705 AND THINK A LITTLE BIT. 712 00:15:47,705 --> 00:15:49,500 I REALLY DON'’T THINK 713 00:15:49,500 --> 00:15:50,535 THAT ME AND BAM WERE MADE 714 00:15:50,535 --> 00:15:51,571 FOR EACH OTHER. 715 00:15:51,571 --> 00:15:52,779 I WAS TRYING TO JUST TAKE 716 00:15:52,779 --> 00:15:54,022 EVERYTHING A LITTLE SLOW, 717 00:15:54,022 --> 00:15:55,471 BUT EVERYTHING THAT HAPPENED 718 00:15:55,471 --> 00:15:56,886 AROUND OUR SITUATION DONE MADE 719 00:15:56,886 --> 00:15:58,543 EVERYTHING FOR REAL FOR REAL. 720 00:15:58,543 --> 00:15:59,406 WE REALLY NEED TO HAVE 721 00:15:59,406 --> 00:16:00,752 A CONVERSATION 722 00:16:00,752 --> 00:16:01,995 ON WHAT WE GONNA DO. 723 00:16:01,995 --> 00:16:02,996 SHE WHINE TOO MUCH, 724 00:16:02,996 --> 00:16:04,377 SO I BE LIKE, "UGH." 725 00:16:04,377 --> 00:16:05,274 I AIN'’T KNOW SHE WAS EVEN 726 00:16:05,274 --> 00:16:05,965 LIKE THAT. 727 00:16:05,965 --> 00:16:07,173 SHE JUST GOT LIKE THAT, MAN. 728 00:16:07,173 --> 00:16:07,897 I'’M LIKE... 729 00:16:07,897 --> 00:16:08,760 NEEDY. 730 00:16:08,760 --> 00:16:10,003 BUT YOU GOT TO STAY FREE, SON. 731 00:16:10,003 --> 00:16:11,832 YOU GOT TO STAY FREE AND LEAVE 732 00:16:11,832 --> 00:16:13,869 ALL THESE CATTY BITCHES ALONE 733 00:16:13,869 --> 00:16:14,628 AND JUST DATE, 734 00:16:14,628 --> 00:16:16,044 JUST HAVE FUN, SON. 735 00:16:16,044 --> 00:16:17,079 HAVE FUN. 736 00:16:17,079 --> 00:16:18,632 AND MAKE A BET. 737 00:16:18,632 --> 00:16:19,944 WHAT'’S THE BET? 738 00:16:19,944 --> 00:16:21,635 YOU STAY OUT OF MINE, 739 00:16:21,635 --> 00:16:23,258 AND YOU GET YOUR BIKE. 740 00:16:23,258 --> 00:16:25,605 YOU GOT TO PROMISE. 741 00:16:25,605 --> 00:16:26,813 COME ON. COME ON. 742 00:16:26,813 --> 00:16:27,676 IT'’S A BET? 743 00:16:27,676 --> 00:16:29,712 ALL RIGHT. DEAL. 744 00:16:29,712 --> 00:16:31,093 ♪ EVERYBODY MOVE IT, MAN 745 00:16:31,093 --> 00:16:31,887 ♪ JUST GROOVE 746 00:16:31,887 --> 00:16:33,302 ♪ PLAYAS GOTTA DO YOUR DANCE 747 00:16:33,302 --> 00:16:34,062 ♪ NOW BREATHE 748 00:16:34,062 --> 00:16:35,718 ♪ LADIES BETTER CHOOSE A MAN 749 00:16:35,718 --> 00:16:37,893 [hip-hop music] 750 00:16:37,893 --> 00:16:38,998 ♪ JUST CLAP 751 00:16:38,998 --> 00:16:40,171 ♪ EVERYBODY MOVE IT, MAN 752 00:16:40,171 --> 00:16:41,069 ♪ JUST GROOVE 753 00:16:41,069 --> 00:16:42,208 ♪ PLAYAS GOTTA DO YOUR DANCE 754 00:16:42,208 --> 00:16:43,278 ♪ NOW BREATHE 755 00:16:43,278 --> 00:16:45,590 ♪ LADIES BETTER CHOOSE A MAN 756 00:16:45,590 --> 00:16:46,660 ♪ 757 00:16:46,660 --> 00:16:47,627 THIS IS THE DAY THAT 758 00:16:47,627 --> 00:16:49,180 ATLANTA'’S BEEN WAITING FOR, 759 00:16:49,180 --> 00:16:50,975 THE OPENING OF SLEAZY and ZINO'’S 760 00:16:50,975 --> 00:16:52,114 BISTRO and BAR. 761 00:16:52,114 --> 00:16:53,253 THE LADIES ARE HERE. 762 00:16:53,253 --> 00:16:54,496 THE BOTTLES ARE POPPIN'’. 763 00:16:54,496 --> 00:16:55,497 IT'’S GONNA BE A NIGHT 764 00:16:55,497 --> 00:16:56,946 YOU WILL NEVER FORGET. 765 00:16:56,946 --> 00:16:57,947 EVERYBODY HERE, 766 00:16:57,947 --> 00:16:59,225 IT'’S NOTHING BUT LOVE. 767 00:16:59,225 --> 00:17:00,916 WE ARE VERY HUMBLED BY THIS. 768 00:17:00,916 --> 00:17:01,710 BELIEVE THAT. 769 00:17:01,710 --> 00:17:02,642 GOD BLESS ALL Y'’ALL. 770 00:17:02,642 --> 00:17:03,712 WE GONNA CONTINUE THIS. 771 00:17:03,712 --> 00:17:04,747 ABSOLUTELY. 772 00:17:04,747 --> 00:17:05,610 ME AND SLEAZO WORKED 773 00:17:05,610 --> 00:17:06,956 REAL HARD JUST SO WE COULD HAVE 774 00:17:06,956 --> 00:17:08,613 EVERYTHING READY ON TIME, 775 00:17:08,613 --> 00:17:10,581 BUT WE DID IT. 776 00:17:10,581 --> 00:17:11,409 IT'’S HYPED. 777 00:17:11,409 --> 00:17:12,272 I'’M FEELING GOOD... 778 00:17:12,272 --> 00:17:13,032 CHH-CHH-CHH-CHH-CHH. 779 00:17:13,032 --> 00:17:13,860 SMELLING GOOD. 780 00:17:13,860 --> 00:17:14,757 I MEAN, THIS IS OUR NIGHT 781 00:17:14,757 --> 00:17:15,448 TONIGHT. 782 00:17:15,448 --> 00:17:16,104 YOU LIKE IT? I LIKE IT. 783 00:17:16,104 --> 00:17:16,794 YEAH, YEAH. 784 00:17:16,794 --> 00:17:17,450 THIS IS SOME... 785 00:17:17,450 --> 00:17:18,830 I'’M PROUD OF HIM, 786 00:17:18,830 --> 00:17:19,486 AND YOU KNOW WHAT? 787 00:17:19,486 --> 00:17:20,246 HE SUPPORTS US, 788 00:17:20,246 --> 00:17:22,317 SO WE SUPPORT HIM. 789 00:17:22,317 --> 00:17:24,698 BENZINO? 790 00:17:24,698 --> 00:17:25,734 NO, NO, NO, NO, NO. 791 00:17:25,734 --> 00:17:26,666 BENZINO. 792 00:17:26,666 --> 00:17:28,875 [laughs] 793 00:17:28,875 --> 00:17:29,565 I DON'’T KNOW. 794 00:17:29,565 --> 00:17:30,428 YOU KNOW, I REALLY... 795 00:17:30,428 --> 00:17:31,084 DON'’T ACT. 796 00:17:31,084 --> 00:17:31,843 YOU KNOW, TRICK. YOU KNOW. 797 00:17:31,843 --> 00:17:32,534 DON'’T ACT. 798 00:17:32,534 --> 00:17:33,190 BUT YOU KNOW WHAT? 799 00:17:33,190 --> 00:17:33,880 I CAN'’T FRONT. 800 00:17:33,880 --> 00:17:34,984 I LIKE SMALL [bleep]. 801 00:17:34,984 --> 00:17:35,640 OH. 802 00:17:35,640 --> 00:17:36,296 I DO. 803 00:17:36,296 --> 00:17:37,297 WHATEVER FLOATS YOUR BOAT. 804 00:17:37,297 --> 00:17:38,540 IT'’S EMOTION, NOT A OCEAN. 805 00:17:38,540 --> 00:17:39,230 IN OTHER WORDS, YOU KNOW, 806 00:17:39,230 --> 00:17:40,335 I LIKE SMALL THINGS. 807 00:17:40,335 --> 00:17:41,577 ZINO AND I, 808 00:17:41,577 --> 00:17:42,958 WE'’VE HAD OUR MOMENTS, 809 00:17:42,958 --> 00:17:44,028 BUT NO MATTER WHAT, 810 00:17:44,028 --> 00:17:45,443 WE'’RE STILL FRIENDS, 811 00:17:45,443 --> 00:17:46,582 AND I'’M REALLY PROUD OF WHAT 812 00:17:46,582 --> 00:17:48,446 STEVIE AND HIM HAVE PULLED OFF. 813 00:17:48,446 --> 00:17:49,344 AND, OF COURSE, I'’M LOOKING 814 00:17:49,344 --> 00:17:51,449 FORWARD TO SEEING HIS NEW CHICK 815 00:17:51,449 --> 00:17:52,519 AND SEEING HOW SHE COMPARES 816 00:17:52,519 --> 00:17:54,349 TO KARLIE REDD. 817 00:17:54,349 --> 00:17:55,591 HEY, KARLIE AND ERICA. 818 00:17:55,591 --> 00:17:56,454 THIS IS ALTHEA. THAT'’S KARLIE. 819 00:17:56,454 --> 00:17:57,455 HI, KARLIE. 820 00:17:57,455 --> 00:17:58,870 THAT'’S ERICA RIGHT THERE. 821 00:17:58,870 --> 00:17:59,940 both: NICE TO MEET YOU. 822 00:17:59,940 --> 00:18:01,632 OKAY, SHE'’S A'’IGHT. 823 00:18:01,632 --> 00:18:03,082 OH, NO, SHE'’S NOT A'’IGHT. 824 00:18:03,082 --> 00:18:04,566 NOTHING WILL EVER COMPARE 825 00:18:04,566 --> 00:18:05,981 TO THIS PACKAGE. 826 00:18:05,981 --> 00:18:07,500 THIS IS SO WEIRD. 827 00:18:07,500 --> 00:18:08,363 AWKWARD. 828 00:18:08,363 --> 00:18:09,053 WHY? 829 00:18:09,053 --> 00:18:09,812 BUT, YEAH, '’CAUSE THIS-- 830 00:18:09,812 --> 00:18:10,503 WELL, NO, YOU KNOW WHY? 831 00:18:10,503 --> 00:18:11,573 '’CAUSE THIS--SO HONESTLY, 832 00:18:11,573 --> 00:18:12,229 I'’M USED TO SEEING 833 00:18:12,229 --> 00:18:13,057 KARLIE AND BENZINO. 834 00:18:13,057 --> 00:18:13,954 BUT YOU KNOW WHAT, THOUGH? 835 00:18:13,954 --> 00:18:15,094 WE'’RE ALL ADULTS, AND... 836 00:18:15,094 --> 00:18:15,956 YES, WE ARE. 837 00:18:15,956 --> 00:18:17,061 EVERYBODY HAS A PAST. 838 00:18:17,061 --> 00:18:17,820 YOU KNOW WHAT I'’M SAYIN'’? 839 00:18:17,820 --> 00:18:18,649 I MEAN, YOU'’RE DATING NEW-- 840 00:18:18,649 --> 00:18:19,408 YOU'’RE DATING SOMEONE TOO, 841 00:18:19,408 --> 00:18:20,099 RIGHT? 842 00:18:20,099 --> 00:18:20,754 YOU'’RE DATING A BOO. 843 00:18:20,754 --> 00:18:22,135 YEAH, YEAH, YUNG JOC. 844 00:18:22,135 --> 00:18:23,032 YEAH. 845 00:18:23,032 --> 00:18:23,826 AND I KNOW YOU HAD TO CHANGE 846 00:18:23,826 --> 00:18:24,517 YOUR PHONE NUMBER. 847 00:18:24,517 --> 00:18:25,173 DOES SHE HAVE YOUR NEW 848 00:18:25,173 --> 00:18:26,208 TELEPHONE NUMBER? 849 00:18:26,208 --> 00:18:26,933 YES. 850 00:18:26,933 --> 00:18:27,830 I HAVE EVERY NUMBER. 851 00:18:27,830 --> 00:18:28,728 YOU HAD--WHEN YOU HAD-- 852 00:18:28,728 --> 00:18:29,453 EVERY NUMBER? 853 00:18:29,453 --> 00:18:30,109 IT'’S ONLY ONE-- 854 00:18:30,109 --> 00:18:30,799 IT'’S ONLY ONE NUMBER. 855 00:18:30,799 --> 00:18:33,698 ANY AND EVERY NUMBER. 856 00:18:33,698 --> 00:18:36,045 THERE'’S ONLY ONE NUMBER. 857 00:18:36,045 --> 00:18:37,288 JOSELINE JUST WARNED ME 858 00:18:37,288 --> 00:18:38,358 ABOUT KARLIE. 859 00:18:38,358 --> 00:18:39,256 THERE SHOULD BE NO REASON 860 00:18:39,256 --> 00:18:40,153 WHY THIS CHICK SHOULD BE 861 00:18:40,153 --> 00:18:41,154 CALLING MY MAN, 862 00:18:41,154 --> 00:18:42,224 AND I'’MA SHUT HER DOWN 863 00:18:42,224 --> 00:18:43,743 BEFORE THERE'’S EVEN A PROBLEM. 864 00:18:43,743 --> 00:18:44,675 DID YOU TELL SOMEBODY 865 00:18:44,675 --> 00:18:45,883 THAT YOU WAS MISSING A [bleep] 866 00:18:45,883 --> 00:18:46,849 OR SOMETHING LIKE THAT? 867 00:18:46,849 --> 00:18:47,609 MISSING A WHO? 868 00:18:47,609 --> 00:18:48,782 MISSING THE [bleep]. 869 00:18:48,782 --> 00:18:49,921 THE ONLY [bleep] I'’M MISSING 870 00:18:49,921 --> 00:18:50,577 IS MY MAN'’S. 871 00:18:50,577 --> 00:18:51,233 OH. 872 00:18:51,233 --> 00:18:52,338 THAT IS A [bleep] TO MISS. 873 00:18:52,338 --> 00:18:53,028 YOU TRUST ME, GIRL. 874 00:18:53,028 --> 00:18:53,822 OKAY. 875 00:18:53,822 --> 00:18:54,547 OH, YES. 876 00:18:54,547 --> 00:18:55,272 WHERE'’D YOU GET THAT FROM, 877 00:18:55,272 --> 00:18:55,962 BY THE WAY? 878 00:18:55,962 --> 00:18:56,825 I HEARD THAT YOU SAID 879 00:18:56,825 --> 00:18:57,481 THAT YOU WAS MISSING 880 00:18:57,481 --> 00:18:58,137 THE [bleep]. 881 00:18:58,137 --> 00:18:58,827 I TOLD HER THAT, 882 00:18:58,827 --> 00:18:59,586 BECAUSE KIRK TOLD ME. 883 00:18:59,586 --> 00:19:00,311 OH, YOU TOLD HER THAT. 884 00:19:00,311 --> 00:19:01,001 WHERE'’S KIRK? 885 00:19:01,001 --> 00:19:01,657 LET ME GO GET KIRK. 886 00:19:01,657 --> 00:19:02,900 I'’MA GO GET KIRK. 887 00:19:02,900 --> 00:19:04,246 YO, WHERE'’S KIRK? 888 00:19:04,246 --> 00:19:06,145 THIS [bleep] KIRK 889 00:19:06,145 --> 00:19:07,801 GOT [bleep] ALL TWISTED. 890 00:19:07,801 --> 00:19:08,802 NOW I GOT TO STRAIGHTEN OUT 891 00:19:08,802 --> 00:19:09,976 TWO PEOPLE, 892 00:19:09,976 --> 00:19:11,357 THIS BITCH ALF 893 00:19:11,357 --> 00:19:13,324 AND LYIN'’ ASS KIRK. 894 00:19:13,324 --> 00:19:14,670 [all speaking at once] 895 00:19:14,670 --> 00:19:15,326 WHAT HAPPENED? 896 00:19:15,326 --> 00:19:16,362 THAT I'’M MISSING A "D"? 897 00:19:16,362 --> 00:19:17,052 SPIT IT OUT. 898 00:19:17,052 --> 00:19:17,880 YOU STARTED THIS [bleep]. 899 00:19:17,880 --> 00:19:18,916 IT'’S RIGHT HERE. 900 00:19:18,916 --> 00:19:19,917 SHE SAYS SHE WANT TO BE 901 00:19:19,917 --> 00:19:20,849 BACK IN Z'’S PRESENCE. 902 00:19:20,849 --> 00:19:21,505 OH! 903 00:19:21,505 --> 00:19:22,161 NOT THAT. 904 00:19:22,161 --> 00:19:23,265 YOU SAID I'’M MISSING A [bleep]. 905 00:19:23,265 --> 00:19:24,093 OH, SAID SHE WANT TO BE BACK 906 00:19:24,093 --> 00:19:25,129 IN MY PRESENCE. 907 00:19:25,129 --> 00:19:25,854 OH! 908 00:19:25,854 --> 00:19:26,579 BUT NOT THAT I'’M MISSING 909 00:19:26,579 --> 00:19:27,614 A [bleep], SO, BOO-BOO, 910 00:19:27,614 --> 00:19:28,339 YOU GOT IT WRONG. 911 00:19:28,339 --> 00:19:29,858 I WOULD NEVER MISS THE [bleep]. 912 00:19:29,858 --> 00:19:30,824 I DON'’T GOT TO MISS THE [bleep]. 913 00:19:30,824 --> 00:19:31,998 THE [bleep] MISSES ME. 914 00:19:31,998 --> 00:19:32,654 [howls] 915 00:19:32,654 --> 00:19:33,655 HE DON'’T MISS YOU. 916 00:19:33,655 --> 00:19:34,587 HE DON'’T MISS YOU, BABY. 917 00:19:34,587 --> 00:19:35,898 IT'’S A WRAP. IT'’S OVER. 918 00:19:35,898 --> 00:19:36,899 LET THAT BITCH KNOW 919 00:19:36,899 --> 00:19:38,073 THAT I'’M CRAZY. 920 00:19:38,073 --> 00:19:39,039 [indistinct shouting] 921 00:19:39,039 --> 00:19:41,076 [all yelling] 922 00:19:41,076 --> 00:19:41,732 [bleep]! 923 00:19:41,732 --> 00:19:42,802 WHO YOU CALLING A BITCH, 924 00:19:42,802 --> 00:19:43,803 BENZINO? 925 00:19:43,803 --> 00:19:44,942 I DON'’T [bleep] CARE. 926 00:19:44,942 --> 00:19:45,770 LIKE, I'’M NOT PLAYING. 927 00:19:45,770 --> 00:19:48,842 I'’LL SMACK YOUR ASS. 928 00:19:48,842 --> 00:19:54,400 [bleep]. 929 00:19:54,400 --> 00:19:55,711 IT'’S A WRAP. IT'’S OVER. 930 00:19:55,711 --> 00:19:56,816 LET THAT BITCH KNOW 931 00:19:56,816 --> 00:19:57,920 THAT I'’M CRAZY. 932 00:19:57,920 --> 00:19:59,646 [indistinct shouting] 933 00:19:59,646 --> 00:20:02,477 [all yelling] 934 00:20:02,477 --> 00:20:03,409 SECURITY! 935 00:20:03,409 --> 00:20:04,513 ESCORT THAT BITCH 936 00:20:04,513 --> 00:20:05,790 OUT OF MY CLUB! 937 00:20:05,790 --> 00:20:06,619 [bleep] [bleep]. 938 00:20:06,619 --> 00:20:07,551 WHO YOU CALLING A BITCH, 939 00:20:07,551 --> 00:20:08,310 BENZINO? 940 00:20:08,310 --> 00:20:09,069 GET THE [bleep] 941 00:20:09,069 --> 00:20:10,347 OUT OF THE CLUB! 942 00:20:10,347 --> 00:20:11,693 ESCORT THAT BITCH OUT! 943 00:20:11,693 --> 00:20:12,866 [all speaking at once] 944 00:20:12,866 --> 00:20:14,005 DO NOT [bleep] WITH ME. 945 00:20:14,005 --> 00:20:16,007 WHO WAS YOU CALLING A BITCH? 946 00:20:16,007 --> 00:20:16,974 SHUT UP, BITCH. 947 00:20:16,974 --> 00:20:19,287 [all yelling] 948 00:20:19,287 --> 00:20:20,460 BENZINO AND HIS TRIFLIN'’ ASS 949 00:20:20,460 --> 00:20:21,634 GIRLFRIEND MUST'’VE LOST 950 00:20:21,634 --> 00:20:22,704 THEIR DAMN MINDS. 951 00:20:22,704 --> 00:20:23,705 FIRST, THIS BITCH THROWS 952 00:20:23,705 --> 00:20:24,878 A DRINK ON KARLIE. 953 00:20:24,878 --> 00:20:25,741 BUT HOLD UP. 954 00:20:25,741 --> 00:20:26,397 DID THAT BITCH 955 00:20:26,397 --> 00:20:27,847 THROW A DRINK AT ME? 956 00:20:27,847 --> 00:20:29,435 OH, HELL, YEAH, NOW YOU BETTER 957 00:20:29,435 --> 00:20:31,230 REMOVE MY ASS OUT OF THIS CLUB 958 00:20:31,230 --> 00:20:32,369 BEFORE I WIPE THE FLOOR 959 00:20:32,369 --> 00:20:33,404 WITH THIS HO 960 00:20:33,404 --> 00:20:34,474 AND SHUT THIS CLUB DOWN. 961 00:20:34,474 --> 00:20:35,268 GET OFF ME, MAN! 962 00:20:35,268 --> 00:20:36,200 GET THE [bleep] OFF ME! 963 00:20:36,200 --> 00:20:38,340 [all yelling] 964 00:20:38,340 --> 00:20:39,479 [all shouting at once] 965 00:20:39,479 --> 00:20:40,722 LEAVE IT TO KARLIE REDD 966 00:20:40,722 --> 00:20:42,068 TO START SOME [bleep]. 967 00:20:42,068 --> 00:20:43,656 AT LEAST ZINO HAD ENOUGH SENSE 968 00:20:43,656 --> 00:20:45,485 TO KICK HER ASS TO THE CURB. 969 00:20:45,485 --> 00:20:48,971 [all speaking at once] 970 00:20:48,971 --> 00:20:50,697 JUST SHUT UP. 971 00:20:50,697 --> 00:20:52,147 DON'’T TOUCH ME, [bleep]. 972 00:20:52,147 --> 00:20:53,182 I'’M SITTING IN THE V.I.P., 973 00:20:53,182 --> 00:20:54,529 DRINKING MY CHAMPAGNE, 974 00:20:54,529 --> 00:20:55,702 BEING SEXY, WATCHING 975 00:20:55,702 --> 00:20:57,048 THE WHOLE PARTY GO ON. 976 00:20:57,048 --> 00:20:58,774 ALL I SEE IS BITCHES FLYING 977 00:20:58,774 --> 00:20:59,844 OUT THE DOOR, 978 00:20:59,844 --> 00:21:01,467 WIGS FLYING IN THE AIR. 979 00:21:01,467 --> 00:21:03,089 OF COURSE BENZINO'’S NEW GIRL 980 00:21:03,089 --> 00:21:04,815 IS IN THE MIDDLE OF EVERYTHING. 981 00:21:04,815 --> 00:21:05,574 BITCH, I DON'’T KNOW WHO YOU 982 00:21:05,574 --> 00:21:06,437 THINK YOU ARE, BUT THIS IS 983 00:21:06,437 --> 00:21:07,473 A FAMILY BUSINESS. 984 00:21:07,473 --> 00:21:08,681 EITHER BENZINO CHECK YOU, 985 00:21:08,681 --> 00:21:09,682 OR JOSELINE HERNANDEZ 986 00:21:09,682 --> 00:21:10,579 WILL CHECK YOU. 987 00:21:10,579 --> 00:21:12,788 [bleep] OUT OF HERE! 988 00:21:12,788 --> 00:21:14,790 GET THE [bleep] OUT OF HERE! 989 00:21:14,790 --> 00:21:15,688 WHEN JOC GET AHOLD 990 00:21:15,688 --> 00:21:16,516 OF YOUR ASS, 991 00:21:16,516 --> 00:21:17,966 I'’LL FEEL SORRY FOR YOU! 992 00:21:17,966 --> 00:21:19,381 WHEN JOC GET AHOLD OF YOUR ASS, 993 00:21:19,381 --> 00:21:21,245 I'’LL FEEL SORRY FOR YOU! 994 00:21:21,245 --> 00:21:23,178 I DON'’T KNOW WHO THIS ALTHEA, 995 00:21:23,178 --> 00:21:25,387 HO-THEA-ALF THINKS SHE IS, 996 00:21:25,387 --> 00:21:26,595 BUT SHE'’S DEFINITELY MESSING 997 00:21:26,595 --> 00:21:28,183 WITH THE WRONG CHICK, 998 00:21:28,183 --> 00:21:30,772 AND [bleep] NO-NECK BENZINO TOO. 999 00:21:30,772 --> 00:21:32,981 IT DEFINITELY AIN'’T OVER. 1000 00:21:32,981 --> 00:21:34,672 GHETTO ASS FUNCTION. 1001 00:21:34,672 --> 00:21:35,501 NOBODY WANT TO COME 1002 00:21:35,501 --> 00:21:39,539 TO THIS GHETTO ASS FUNCTION. 1003 00:21:39,539 --> 00:21:44,648 [indistinct chatter] 1004 00:21:44,648 --> 00:21:45,338 DOESN'’T MATTER. 1005 00:21:45,338 --> 00:21:46,028 DON'’T MATTER. 1006 00:21:46,028 --> 00:21:47,616 MM-HMM. 1007 00:21:47,616 --> 00:21:48,307 WHAT'’S HAPPENIN'’? 1008 00:21:48,307 --> 00:21:49,066 HEY. 1009 00:21:49,066 --> 00:21:50,136 HOW Y'’ALL DOING? 1010 00:21:50,136 --> 00:21:50,930 WHAT'’S UP? 1011 00:21:50,930 --> 00:21:51,586 WELL, EXCUSE ME. 1012 00:21:51,586 --> 00:21:52,587 CAN I PULL THIS LITTLE YOUNG 1013 00:21:52,587 --> 00:21:54,071 LADY OFF TO THE SIDE? 1014 00:21:54,071 --> 00:21:54,934 I'’VE BEEN OUT OF TOWN 1015 00:21:54,934 --> 00:21:56,315 SINCE MY BIRTHDAY PARTY, 1016 00:21:56,315 --> 00:21:57,868 AND I AIN'’T HAD NO REAL CONTACT 1017 00:21:57,868 --> 00:21:59,352 WITH BAM, NO FACE-TO-FACE TIME, 1018 00:21:59,352 --> 00:22:00,077 YOU KNOW. 1019 00:22:00,077 --> 00:22:01,561 SO NOW THAT I'’M BACK, 1020 00:22:01,561 --> 00:22:02,390 YOU KNOW, I THINK IT'’S TIME 1021 00:22:02,390 --> 00:22:03,114 FOR ME TO GO HOLLER 1022 00:22:03,114 --> 00:22:04,426 AT THE BAMSTER, YOU KNOW, 1023 00:22:04,426 --> 00:22:05,427 AND SEE WHAT STATUS 1024 00:22:05,427 --> 00:22:09,500 OUR RELATIONSHIP LOOKIN'’ LIKE. 1025 00:22:09,500 --> 00:22:10,777 WHAT'’S UP? 1026 00:22:10,777 --> 00:22:13,573 WHAT YOU HEARD? 1027 00:22:13,573 --> 00:22:15,713 GOT INTO A LITTLE 1028 00:22:15,713 --> 00:22:16,783 ALTERCATION 1029 00:22:16,783 --> 00:22:18,302 AGAIN WITH OLD GIRL. 1030 00:22:18,302 --> 00:22:18,992 OLD GIRL? 1031 00:22:18,992 --> 00:22:19,717 PINKETT. 1032 00:22:19,717 --> 00:22:20,373 MM-HMM. 1033 00:22:20,373 --> 00:22:21,132 WHAT HAPPENED? 1034 00:22:21,132 --> 00:22:22,271 YOUR MOM CALLED ME, 1035 00:22:22,271 --> 00:22:23,376 AND SHE WANTED ME TO SIT DOWN 1036 00:22:23,376 --> 00:22:24,550 WITH THIS CHICK, SO I GO 1037 00:22:24,550 --> 00:22:26,379 AND SIT DOWN, AND MY FIRST 1038 00:22:26,379 --> 00:22:27,069 THOUGHT WAS LIKE, 1039 00:22:27,069 --> 00:22:27,725 "WHY AM I HERE?" 1040 00:22:27,725 --> 00:22:29,278 TO GET A CONCLUSION ON THAT. 1041 00:22:29,278 --> 00:22:30,349 A CONCLUSION FOR WHAT? 1042 00:22:30,349 --> 00:22:31,591 I ALREADY CONCLUDED THIS 1043 00:22:31,591 --> 00:22:33,904 WHEN I PUT MY FIST IN HER FACE. 1044 00:22:33,904 --> 00:22:35,319 WHAT MORE DOES SCRAP WANT? 1045 00:22:35,319 --> 00:22:36,113 YOU WERE LETTING PEOPLE 1046 00:22:36,113 --> 00:22:37,804 DISRESPECT ME, AND-- 1047 00:22:37,804 --> 00:22:39,737 AND THE END RESULT IS 1048 00:22:39,737 --> 00:22:41,705 THAT I'’M OVER IT, 1049 00:22:41,705 --> 00:22:43,465 LIKE, THE WHOLE SITUATION. 1050 00:22:43,465 --> 00:22:44,949 I DON'’T DO RATCHET CIRCUS 1051 00:22:44,949 --> 00:22:45,778 TRIANGLES, 1052 00:22:45,778 --> 00:22:46,848 SO Y'’ALL CAN HAVE THAT. 1053 00:22:46,848 --> 00:22:47,676 Y'’ALL CAN HAVE Y'’ALL [bleep] 1054 00:22:47,676 --> 00:22:48,505 BACK. 1055 00:22:48,505 --> 00:22:49,368 WOW. 1056 00:22:49,368 --> 00:22:50,645 I'’VE NEVER HAD TO BE 1057 00:22:50,645 --> 00:22:52,888 IN A SITUATION WHERE SOMEBODY'’S 1058 00:22:52,888 --> 00:22:55,132 MAMA, LIKE, DICTATED EVERYTHING. 1059 00:22:55,132 --> 00:22:56,167 IT AIN'’T GOT NOTHING TO DO 1060 00:22:56,167 --> 00:22:56,823 WITH HER, THOUGH. 1061 00:22:56,823 --> 00:22:57,514 LIKE, I JUST-- 1062 00:22:57,514 --> 00:22:58,618 I REALLY WANT TO SMACK 1063 00:22:58,618 --> 00:22:59,826 YOUR ASS RIGHT NOW. 1064 00:22:59,826 --> 00:23:00,586 BUT THAT WOULDN'’T BE 1065 00:23:00,586 --> 00:23:01,587 A GOOD THING TO DO. 1066 00:23:01,587 --> 00:23:02,795 WELL, YOU NEED TO GO 1067 00:23:02,795 --> 00:23:04,452 GET ON A NIPPLE OR SOMETHING. 1068 00:23:04,452 --> 00:23:05,176 I DON'’T NEED TO GET 1069 00:23:05,176 --> 00:23:05,832 ON A NIPPLE. 1070 00:23:05,832 --> 00:23:06,764 WHAT YOU NEED TO GET ON? 1071 00:23:06,764 --> 00:23:07,869 I GET ANOTHER GLASS. 1072 00:23:07,869 --> 00:23:09,249 CAN YOU GET US ANOTHER SHOT, 1073 00:23:09,249 --> 00:23:10,354 WITH A NIPPLE ATTACHED 1074 00:23:10,354 --> 00:23:11,804 TO THE GLASS? 1075 00:23:11,804 --> 00:23:13,530 NEVER GONNA FIND NOBODY 1076 00:23:13,530 --> 00:23:15,255 TO DO FOR YOU WHAT I DID. 1077 00:23:15,255 --> 00:23:16,395 NO, I AGREE. 1078 00:23:16,395 --> 00:23:18,535 I DO LOVE BEING WITH YOU, 1079 00:23:18,535 --> 00:23:19,639 AND YOU'’RE A GOOD FRIEND. 1080 00:23:19,639 --> 00:23:21,089 YOU'’RE A GOOD GIRL, 1081 00:23:21,089 --> 00:23:23,125 BUT YOU JUST COMPLAIN 1082 00:23:23,125 --> 00:23:24,333 TOO MUCH WITH IT. 1083 00:23:24,333 --> 00:23:25,714 DON'’T TRY TO DISCREDIT ME 1084 00:23:25,714 --> 00:23:26,543 FOR MY [bleep]. 1085 00:23:26,543 --> 00:23:27,406 NOW, THAT'’S WHEN WE GONNA HAVE 1086 00:23:27,406 --> 00:23:28,061 A [bleep] PROBLEM. 1087 00:23:28,061 --> 00:23:28,717 BAM, CHILL OUT... 1088 00:23:28,717 --> 00:23:29,753 I DON'’T [bleep] CARE. 1089 00:23:29,753 --> 00:23:30,616 LIKE, I'’M NOT PLAYING. 1090 00:23:30,616 --> 00:23:31,720 I'’LL SMACK YOUR ASS. 1091 00:23:31,720 --> 00:23:33,515 I'’M DONE WITH ALL THIS [bleep]. 1092 00:23:33,515 --> 00:23:34,999 GO AND DON'’T MOTHER[bleep] 1093 00:23:34,999 --> 00:23:37,001 COME BACK, PERIOD. 1094 00:23:37,001 --> 00:23:38,278 AND LET ME GET THAT [bleep]. 1095 00:23:38,278 --> 00:23:39,245 SOME ONES TOO. 1096 00:23:39,245 --> 00:23:39,970 YEAH. 1097 00:23:39,970 --> 00:23:40,660 I DON'’T WANT YOUR LITTLE 1098 00:23:40,660 --> 00:23:41,523 SPANKIN'’ ASS ONES. 1099 00:23:41,523 --> 00:23:43,042 HERE'’S SOME ONES. 1100 00:23:43,042 --> 00:23:44,077 GET YOUR ASS OUT OF HERE. 1101 00:23:44,077 --> 00:23:44,906 IT'’S ALL GOOD. 1102 00:23:44,906 --> 00:23:46,010 SHE AIN'’T HAPPY. 1103 00:23:46,010 --> 00:23:46,977 I AIN'’T HAPPY. 1104 00:23:46,977 --> 00:23:47,702 WHAT'’S THAT THING THEY 1105 00:23:47,702 --> 00:23:48,427 BE SAYIN'’, YOU KNOW, 1106 00:23:48,427 --> 00:23:49,428 PEOPLE SAY ALL THE TIME, 1107 00:23:49,428 --> 00:23:51,153 YOU KNOW, "IF IT AIN'’T GOOD, 1108 00:23:51,153 --> 00:23:51,878 YOU GOT A JEWEL." 1109 00:23:51,878 --> 00:23:52,534 GOT YOU. 1110 00:23:52,534 --> 00:23:53,224 [bleep]. 1111 00:23:53,224 --> 00:23:54,225 BUT YOU DIDN'’T TAKE CARE 1112 00:23:54,225 --> 00:23:55,434 OF THE BEST BITCH THAT EVER 1113 00:23:55,434 --> 00:23:57,056 HAPPENED TO YOU IN YOUR LIFE. 1114 00:23:57,056 --> 00:23:58,644 KEEP RUNNIN'’ BACK TO THE BITCHES 1115 00:23:58,644 --> 00:24:00,577 THAT'’S GONNA BE ALWAYS THERE 1116 00:24:00,577 --> 00:24:01,440 FOR YOU, BECAUSE THEY AIN'’T 1117 00:24:01,440 --> 00:24:03,821 GOT [bleep] ELSE. 1118 00:24:03,821 --> 00:24:04,477 HOW LONG AGO WAS IT? 1119 00:24:04,477 --> 00:24:05,167 BE HONEST. 1120 00:24:05,167 --> 00:24:06,410 IF I HAD ANYTHING TO HIDE, 1121 00:24:06,410 --> 00:24:07,376 I WOULDN'’T WANT TO GO. 1122 00:24:07,376 --> 00:24:08,032 YEAH, I KNOW ALTHEA. 1123 00:24:08,032 --> 00:24:09,240 THAT'’S MY LEFTOVERS. 1124 00:24:09,240 --> 00:24:10,310 SHE DON'’T WANT IT FROM ME, 1125 00:24:10,310 --> 00:24:11,588 SO THE BOSS, AROUND TO STEVIE. 1126 00:24:11,588 --> 00:24:12,278 AND THEN ZINO. 1127 00:24:12,278 --> 00:24:15,350 WHOA, WHOA, WHOA, WHOA. 1128 00:24:15,350 --> 00:24:19,975 SHE LOVIN'’ THE CREW? 1129 00:24:19,975 --> 00:24:21,287 ♪ COME TO THE PARTY 1130 00:24:21,287 --> 00:24:22,668 ♪ IF YOU WANNA 1131 00:24:22,668 --> 00:24:23,358 ♪ BUT YOU CAN'’T ♪ 1132 00:24:23,358 --> 00:24:24,290 ♪ BRING YOUR DRAMA 1133 00:24:24,290 --> 00:24:25,464 ♪ ALL YOU NEED TO DO IS 1134 00:24:25,464 --> 00:24:27,155 ♪ LET GO 1135 00:24:27,155 --> 00:24:27,983 ♪ WE GONNA BE 1136 00:24:27,983 --> 00:24:29,260 ♪ THE PARTY STARTERS 1137 00:24:29,260 --> 00:24:30,469 ♪ OOH 1138 00:24:30,469 --> 00:24:31,331 ♪ TONIGHT 1139 00:24:31,331 --> 00:24:31,987 ♪ WE GONNA BE 1140 00:24:31,987 --> 00:24:33,955 ♪ THE PARTY STARTERS 1141 00:24:33,955 --> 00:24:35,646 ♪ I AM TONIGHT 1142 00:24:35,646 --> 00:24:36,336 ♪ WE GONNA BE 1143 00:24:36,336 --> 00:24:37,510 ♪ THE PARTY STARTERS 1144 00:24:37,510 --> 00:24:38,994 ♪ I AM TONIGHT 1145 00:24:38,994 --> 00:24:40,686 [upbeat dance music] 1146 00:24:40,686 --> 00:24:41,859 NIKKO AND I JUST CELEBRATED 1147 00:24:41,859 --> 00:24:43,447 OUR ONE-YEAR ANNIVERSARY. 1148 00:24:43,447 --> 00:24:45,276 DAWN HAS BEEN WORKING REAL HARD 1149 00:24:45,276 --> 00:24:46,036 PUTTING THIS PARTY 1150 00:24:46,036 --> 00:24:46,899 TOGETHER FOR US. 1151 00:24:46,899 --> 00:24:48,176 THIS IS THE FIRST TIME 1152 00:24:48,176 --> 00:24:49,418 THAT I'’VE BEEN AROUND SO MANY 1153 00:24:49,418 --> 00:24:50,868 PEOPLE AFTER THE LEAK 1154 00:24:50,868 --> 00:24:52,007 OF THIS SEX TAPE. 1155 00:24:52,007 --> 00:24:53,215 I'’M A LITTLE NERVOUS, 1156 00:24:53,215 --> 00:24:54,803 BUT I'’M HERE TO CELEBRATE, 1157 00:24:54,803 --> 00:24:57,530 SO THAT'’S WHAT I'’M GONNA DO. 1158 00:24:57,530 --> 00:24:59,325 GOOD EVENING, EVERYBODY. 1159 00:24:59,325 --> 00:25:00,464 WE BROUGHT YOU HERE TODAY 1160 00:25:00,464 --> 00:25:02,915 TO CELEBRATE THE MOST BEAUTIFUL, 1161 00:25:02,915 --> 00:25:05,504 SEXIEST COUPLE, MIMI AND NIKKO, 1162 00:25:05,504 --> 00:25:06,228 TONIGHT... 1163 00:25:06,228 --> 00:25:06,884 [cheers and applause] 1164 00:25:06,884 --> 00:25:07,678 CELEBRATING 1165 00:25:07,678 --> 00:25:09,508 THEIR ONE-YEAR ANNIVERSARY. 1166 00:25:09,508 --> 00:25:11,199 THEY ARE A POWER COUPLE. 1167 00:25:11,199 --> 00:25:12,303 IT WILL BE ATLANTA'’S NEW 1168 00:25:12,303 --> 00:25:14,927 ADULT ENTERTAINMENT COUPLE. 1169 00:25:14,927 --> 00:25:15,928 [cheers and applause] 1170 00:25:15,928 --> 00:25:17,343 MIMI AND NIKKO. 1171 00:25:17,343 --> 00:25:18,724 THERE IT IS, OUR FIRST 1172 00:25:18,724 --> 00:25:21,347 INTRODUCTION AS NIKKO AND MIMI, 1173 00:25:21,347 --> 00:25:24,039 THE "ADULT ENTERTAINMENT 1174 00:25:24,039 --> 00:25:24,764 COUPLE." 1175 00:25:24,764 --> 00:25:25,696 I WAS REALLY HOPING 1176 00:25:25,696 --> 00:25:26,973 THAT TONIGHT COULD JUST BE 1177 00:25:26,973 --> 00:25:28,527 ABOUT MIMI AND NIKKO, 1178 00:25:28,527 --> 00:25:31,219 BUT LET THE JUDGMENT BEGIN. 1179 00:25:31,219 --> 00:25:33,152 WE ARE THE COUPLE. 1180 00:25:33,152 --> 00:25:34,947 WE LOVE TOGETHER, 1181 00:25:34,947 --> 00:25:36,880 GET MONEY TOGETHER, 1182 00:25:36,880 --> 00:25:37,777 ESPECIALLY WITH THE--YOU KNOW, 1183 00:25:37,777 --> 00:25:40,366 WITH THE TAPE LEAK THAT WE HAD. 1184 00:25:40,366 --> 00:25:41,574 WE HERE NOW, 1185 00:25:41,574 --> 00:25:42,437 AND WE TAKING IT ALL THE WAY 1186 00:25:42,437 --> 00:25:45,267 TO THE TOP, SEXIEST NEW COUPLE, 1187 00:25:45,267 --> 00:25:47,200 POWER COUPLE, IN AMERICA. 1188 00:25:47,200 --> 00:25:48,443 NIKKO IS REALLY HYPING 1189 00:25:48,443 --> 00:25:49,548 THIS SEX TAPE. 1190 00:25:49,548 --> 00:25:50,583 THIS IS SUPPOSED TO BE 1191 00:25:50,583 --> 00:25:52,067 OUR ANNIVERSARY PARTY. 1192 00:25:52,067 --> 00:25:53,552 HE SEEMS MORE INTERESTED 1193 00:25:53,552 --> 00:25:55,243 IN THIS SEX TAPE THAN HE IS 1194 00:25:55,243 --> 00:25:57,210 IN OUR RELATIONSHIP RIGHT NOW. 1195 00:25:57,210 --> 00:25:58,039 [indistinct chatter] 1196 00:25:58,039 --> 00:25:59,696 WE'’RE PUTTING THE MIC DOWN. 1197 00:25:59,696 --> 00:26:00,559 SPEAK ON IT! 1198 00:26:00,559 --> 00:26:02,077 OKEYDOKEY. 1199 00:26:02,077 --> 00:26:02,733 ALL I CAN SAY 1200 00:26:02,733 --> 00:26:04,390 IS IT MIGHT BE INTERESTING. 1201 00:26:04,390 --> 00:26:06,495 JUST LOOK OUT. 1202 00:26:06,495 --> 00:26:07,462 THIS TAPE IS COMING OUT 1203 00:26:07,462 --> 00:26:08,428 IN A COUPLE OF WEEKS, 1204 00:26:08,428 --> 00:26:09,878 AND I DON'’T KNOW IF I'’M READY, 1205 00:26:09,878 --> 00:26:11,017 BUT I MADE A DECISION. 1206 00:26:11,017 --> 00:26:11,846 IT'’S DONE. 1207 00:26:11,846 --> 00:26:15,574 I'’M GONNA HAVE TO PUT MY BOOTS 1208 00:26:15,574 --> 00:26:27,413 ON AND KEEP MARCHING. 1209 00:26:27,413 --> 00:26:28,345 BABE. 1210 00:26:28,345 --> 00:26:30,243 YEAH. 1211 00:26:30,243 --> 00:26:30,899 HOW DID WE GET INVITED 1212 00:26:30,899 --> 00:26:32,798 TO NIKKO AND, UH, MIMI'’S PARTY 1213 00:26:32,798 --> 00:26:33,557 ANYWAY? 1214 00:26:33,557 --> 00:26:34,696 OH, BELIEVE ME, 1215 00:26:34,696 --> 00:26:36,595 I KEEP ASKING MYSELF THAT. 1216 00:26:36,595 --> 00:26:37,319 YOU KNOW, I HAD A BUSINESS 1217 00:26:37,319 --> 00:26:38,320 PARTNER WITH DAWN. 1218 00:26:38,320 --> 00:26:40,081 I'’M LIKE, "YEAH, I'’LL DO 1219 00:26:40,081 --> 00:26:41,013 SOMETHING WITH HIP HOP WEEKLY." 1220 00:26:41,013 --> 00:26:42,186 HOW THE HELL THAT HAPPENED, 1221 00:26:42,186 --> 00:26:43,222 WHO KNOWS? 1222 00:26:43,222 --> 00:26:44,119 BUT FOR REAL, TO BE HONEST 1223 00:26:44,119 --> 00:26:45,051 WITH YOU, I'’D RATHER 1224 00:26:45,051 --> 00:26:45,949 JUST GO TO A MOVIE. 1225 00:26:45,949 --> 00:26:47,467 LIKE, I'’LL EVEN GO SEE 1226 00:26:47,467 --> 00:26:48,745 A CHICK FLICK WITH YOU. 1227 00:26:48,745 --> 00:26:50,056 I TOLD DAWN THAT I WOULD COVER 1228 00:26:50,056 --> 00:26:51,023 MIMI AND FREAKO'’S 1229 00:26:51,023 --> 00:26:52,231 ANNIVERSARY PARTY. 1230 00:26:52,231 --> 00:26:53,646 THE ONLY REASON I SAID THAT 1231 00:26:53,646 --> 00:26:55,061 WAS BECAUSE I WANTED TO PUT 1232 00:26:55,061 --> 00:26:56,235 TO BED THIS WHOLE NONSENSE 1233 00:26:56,235 --> 00:26:57,995 ABOUT THE RETRACTION. 1234 00:26:57,995 --> 00:26:58,755 WHY ARE YOU NOT DRESSED? 1235 00:26:58,755 --> 00:26:59,445 YOU'’RE USUALLY DRESSED 1236 00:26:59,445 --> 00:27:00,101 BEFORE I AM. 1237 00:27:00,101 --> 00:27:00,964 WHAT YOU MEAN? I'’M DRESSED. 1238 00:27:00,964 --> 00:27:01,723 WHAT ARE YOU TALKING ABOUT? 1239 00:27:01,723 --> 00:27:04,070 I'’M DRESSED. I'’M DRESSED, MAN. 1240 00:27:04,070 --> 00:27:05,347 YO, TO BE HONEST WITH YOU, MAN, 1241 00:27:05,347 --> 00:27:06,555 I DON'’T EVEN KNOW ABOUT THIS, 1242 00:27:06,555 --> 00:27:07,695 YO, FOR REAL. 1243 00:27:07,695 --> 00:27:09,386 HOW LONG AGO WAS YOU MESSIN'’ 1244 00:27:09,386 --> 00:27:10,629 WITH THIS DUDE, MAN? 1245 00:27:10,629 --> 00:27:11,871 OH, DUDE, I KNOW 1246 00:27:11,871 --> 00:27:13,908 WE NOT TALKIN'’ ABOUT NIKKO. 1247 00:27:13,908 --> 00:27:14,978 FROM DAY ONE, I TOLD BENZINO 1248 00:27:14,978 --> 00:27:15,737 EVERYTHING. 1249 00:27:15,737 --> 00:27:17,394 HE KNEW ALL ABOUT NIKKO. 1250 00:27:17,394 --> 00:27:18,119 I'’VE NEVER TRIED TO KEEP IT 1251 00:27:18,119 --> 00:27:19,638 A SECRET, AND NOW HE HAS 1252 00:27:19,638 --> 00:27:21,398 A PROBLEM WITH IT? 1253 00:27:21,398 --> 00:27:22,054 YOU SAID IT WAS BACK 1254 00:27:22,054 --> 00:27:22,710 IN THE DAY. 1255 00:27:22,710 --> 00:27:23,400 HOW LONG AGO WAS IT? 1256 00:27:23,400 --> 00:27:24,056 BE HONEST. 1257 00:27:24,056 --> 00:27:25,367 I WAS IN HIGH SCHOOL. 1258 00:27:25,367 --> 00:27:27,749 I WAS LIKE 16, 17, IS ALL. 1259 00:27:27,749 --> 00:27:29,233 I'’M NOT GOING TO MIMI 1260 00:27:29,233 --> 00:27:31,028 AND HER [bleep] PORN STAR 1261 00:27:31,028 --> 00:27:32,892 BOYFRIEND'’S PARTY BECAUSE 1262 00:27:32,892 --> 00:27:34,307 I DON'’T ROCK WITH THEM. 1263 00:27:34,307 --> 00:27:36,206 NIKKO FREAKO DEEKO 1264 00:27:36,206 --> 00:27:37,379 DOES NOT BOTHER ME. 1265 00:27:37,379 --> 00:27:38,415 HE DOESN'’T EXIST TO ME. 1266 00:27:38,415 --> 00:27:39,312 WHO IS THIS GUY? 1267 00:27:39,312 --> 00:27:40,417 AT THE END OF THE DAY, 1268 00:27:40,417 --> 00:27:41,625 SHE'’S MY GIRL. 1269 00:27:41,625 --> 00:27:42,350 I DON'’T WANT TO GO TO THIS. 1270 00:27:42,350 --> 00:27:43,006 I DO. 1271 00:27:43,006 --> 00:27:43,834 AS A MATTER OF FACT, I'’M NOT. 1272 00:27:43,834 --> 00:27:44,524 THAT'’S SO MESSED UP. 1273 00:27:44,524 --> 00:27:45,249 [bleep] THAT PARTY. 1274 00:27:45,249 --> 00:27:45,940 YOU KNOW WHAT I MEAN? 1275 00:27:45,940 --> 00:27:46,630 I'’M NOT WITH IT. 1276 00:27:46,630 --> 00:27:47,804 IF I HAD ANYTHING TO HIDE, 1277 00:27:47,804 --> 00:27:48,494 I WOULDN'’T WANT TO GO. 1278 00:27:48,494 --> 00:27:49,150 HE MEANS NOTHING. 1279 00:27:49,150 --> 00:27:49,840 HE DOESN'’T GIVE A [bleep] 1280 00:27:49,840 --> 00:27:50,530 ABOUT ME. 1281 00:27:50,530 --> 00:27:51,186 HE'’S WITH MIMI. 1282 00:27:51,186 --> 00:27:51,877 BUT I DON'’T WANT TO BE 1283 00:27:51,877 --> 00:27:52,567 AROUND HIM, THOUGH. 1284 00:27:52,567 --> 00:27:53,361 I DON'’T WANT TO BE AROUND HIM, 1285 00:27:53,361 --> 00:27:54,362 MIMI, NONE OF THAT [bleep]. 1286 00:27:54,362 --> 00:27:55,674 WE'’RE NOT GOING TO THAT PARTY. 1287 00:27:55,674 --> 00:27:56,778 SO I GOT TO WASTE A OUTFIT 1288 00:27:56,778 --> 00:27:57,745 BECAUSE OF SOMETHING THAT 1289 00:27:57,745 --> 00:27:58,677 HAPPENED 15 YEARS AGO? 1290 00:27:58,677 --> 00:27:59,401 YOU ARE TRIPPIN'’, YO. 1291 00:27:59,401 --> 00:28:00,057 NO, YOU TRIPPIN'’. 1292 00:28:00,057 --> 00:28:00,782 FOR REAL. 1293 00:28:00,782 --> 00:28:01,714 AH, NO, NO, YOU'’RE TRIPPIN'’, 1294 00:28:01,714 --> 00:28:02,577 AND IT'’S NOT EVEN RIGHT. 1295 00:28:02,577 --> 00:28:03,267 YEAH, I HAD A MOMENT 1296 00:28:03,267 --> 00:28:05,753 WITH NIKKO, YEAH, JUST A MOMENT. 1297 00:28:05,753 --> 00:28:06,926 I HAD TO DEAL WITH ZINO'’S EX 1298 00:28:06,926 --> 00:28:08,445 KARLIE AT THE GRAND OPENING. 1299 00:28:08,445 --> 00:28:09,722 HE SHOULD JUST SUCK IT UP, AND 1300 00:28:09,722 --> 00:28:11,034 WE SHOULD GO HAVE A GOOD TIME. 1301 00:28:11,034 --> 00:28:12,449 [chuckles] 1302 00:28:12,449 --> 00:28:16,522 YO, MAN. 1303 00:28:16,522 --> 00:28:21,700 JUST CRAZY. 1304 00:28:21,700 --> 00:28:22,701 JUST GOT A TEXT MESSAGE 1305 00:28:22,701 --> 00:28:24,081 FROM BENZINO 1306 00:28:24,081 --> 00:28:25,773 STATING HE COULDN'’T MAKE IT. 1307 00:28:25,773 --> 00:28:27,636 HE SAID HE WANTED TO APOLOGIZE. 1308 00:28:27,636 --> 00:28:28,534 HE WANTS TO BE SPENDING 1309 00:28:28,534 --> 00:28:30,225 MORE TIME WITH ALTHEA. 1310 00:28:30,225 --> 00:28:31,019 SHE'’S A SINGER OR SOMETHING 1311 00:28:31,019 --> 00:28:31,710 LIKE THAT. 1312 00:28:31,710 --> 00:28:32,607 YEAH, I KNOW ALTHEA. 1313 00:28:32,607 --> 00:28:34,229 THAT'’S MY LEFTOVERS. 1314 00:28:34,229 --> 00:28:35,265 SHE DON'’T WANT IT FROM ME, 1315 00:28:35,265 --> 00:28:36,507 SO THE BOSS, AROUND TO STEVIE, 1316 00:28:36,507 --> 00:28:37,198 AND THEN ZINO. 1317 00:28:37,198 --> 00:28:38,233 WHOA, WHOA, WHOA, WHOA. 1318 00:28:38,233 --> 00:28:39,476 SHE LOVIN'’ THE CREW? 1319 00:28:39,476 --> 00:28:40,166 HOLD ON. 1320 00:28:40,166 --> 00:28:41,478 NOW, I ALREADY KNEW THIS TRICK 1321 00:28:41,478 --> 00:28:42,410 WAS A PROBLEM FROM 1322 00:28:42,410 --> 00:28:43,618 THE GRAND OPENING, 1323 00:28:43,618 --> 00:28:44,723 BUT I DIDN'’T KNOW SHE WAS 1324 00:28:44,723 --> 00:28:46,069 BEING PASSED AROUND THE CREW 1325 00:28:46,069 --> 00:28:47,622 LIKE THAT. 1326 00:28:47,622 --> 00:28:49,520 WAIT TILL I TELL KARLIE. 1327 00:28:49,520 --> 00:28:50,521 I TOLD YOU THAT ME AND HER... 1328 00:28:50,521 --> 00:28:51,695 YOU--YEAH, I KNEW 1329 00:28:51,695 --> 00:28:52,385 ABOUT THAT SITUATION. 1330 00:28:52,385 --> 00:28:53,283 HAD A FLING. 1331 00:28:53,283 --> 00:28:55,009 SO THEY JUST PASS HER ALONG. 1332 00:28:55,009 --> 00:28:57,149 I MEAN, I DON'’T KNOW 1333 00:28:57,149 --> 00:28:58,840 IF BENZINO KNOW. 1334 00:28:58,840 --> 00:28:59,530 I DON'’T KNOW, 1335 00:28:59,530 --> 00:29:00,877 BUT SHE BEEN AROUND. 1336 00:29:00,877 --> 00:29:01,567 SHE DIDN'’T SEX-- 1337 00:29:01,567 --> 00:29:02,292 SHE DIDN'’T LET HIM-- 1338 00:29:02,292 --> 00:29:02,948 HIM KNOW THAT SHE 1339 00:29:02,948 --> 00:29:03,672 WAS WITH STEVIE? 1340 00:29:03,672 --> 00:29:05,260 SHE SLEPT WITH THE BUS DRIVER? 1341 00:29:05,260 --> 00:29:06,399 I KNOW THE GIRL WAS--DAMN. 1342 00:29:06,399 --> 00:29:07,435 WAS HE IS IN A RELATIONSHIP 1343 00:29:07,435 --> 00:29:08,747 WITH JOSELINE? 1344 00:29:08,747 --> 00:29:09,506 YES. 1345 00:29:09,506 --> 00:29:10,921 I DON'’T RUN WITH ALTHEA, 1346 00:29:10,921 --> 00:29:12,371 AND I DON'’T KNOW IF BENZINO 1347 00:29:12,371 --> 00:29:14,545 KNOWS, BUT I DO KNOW WHAT I SAW 1348 00:29:14,545 --> 00:29:15,788 WITH MY OWN TWO EYES, 1349 00:29:15,788 --> 00:29:17,203 AND IT WAS DEFINITELY SOMETHING 1350 00:29:17,203 --> 00:29:18,895 GOING ON WITH ALTHEA 1351 00:29:18,895 --> 00:29:20,310 AND STEVIE J. 1352 00:29:20,310 --> 00:29:21,069 HE ASKED ME TO DROP 1353 00:29:21,069 --> 00:29:22,208 THE BABY OFF. 1354 00:29:22,208 --> 00:29:23,416 I GO TO THE HOUSE. 1355 00:29:23,416 --> 00:29:24,348 I'’M KNOCKING ON THE DOOR. 1356 00:29:24,348 --> 00:29:25,246 THE LIGHTS ARE OFF. 1357 00:29:25,246 --> 00:29:27,282 HE FINALLY COMES TO THE DOOR. 1358 00:29:27,282 --> 00:29:28,525 HE HALF-DRESSED. 1359 00:29:28,525 --> 00:29:29,595 I SEE HER HALF-NAKED 1360 00:29:29,595 --> 00:29:30,941 ON THE COUCH, AND... 1361 00:29:30,941 --> 00:29:31,804 ARE YOU SERIOUS? 1362 00:29:31,804 --> 00:29:33,219 MY BABY CALLIN'’ HER 1363 00:29:33,219 --> 00:29:34,117 BY HER FIRST NAME, 1364 00:29:34,117 --> 00:29:35,635 SO IT WASN'’T THE FIRST TIME... 1365 00:29:35,635 --> 00:29:36,705 IT AIN'’T THE FIRST TIME. 1366 00:29:36,705 --> 00:29:38,121 SHE SAW HER. 1367 00:29:38,121 --> 00:29:40,157 WELL, I GOT TO SAY SOMETHING. 1368 00:29:40,157 --> 00:29:40,986 SHE CONTACTED ME 1369 00:29:40,986 --> 00:29:41,883 A COUPLE OF TIMES. 1370 00:29:41,883 --> 00:29:43,367 [gasps] 1371 00:29:43,367 --> 00:29:44,161 AS ALTHEA WAS BLOWING 1372 00:29:44,161 --> 00:29:45,922 MY PHONE UP, 1373 00:29:45,922 --> 00:29:46,750 IT FELT LIKE SHE WANTED 1374 00:29:46,750 --> 00:29:48,545 TO RECONNECT WITH ME 1375 00:29:48,545 --> 00:29:49,649 ON ANOTHER LEVEL, 1376 00:29:49,649 --> 00:29:50,409 SOMETHING A LITTLE MORE 1377 00:29:50,409 --> 00:29:51,824 THAN JUST MUSIC. 1378 00:29:51,824 --> 00:29:53,067 I MEAN, I'’M JUST SAYIN'’. 1379 00:29:53,067 --> 00:29:54,275 SHE CONTACTED ME ON THE PHONE. 1380 00:29:54,275 --> 00:29:55,241 SHE GOT MY NUMBER. 1381 00:29:55,241 --> 00:29:56,415 YEAH, WE GOT MUTUAL FRIENDS. 1382 00:29:56,415 --> 00:29:57,071 SHE GOT MY NUMBER. 1383 00:29:57,071 --> 00:29:57,865 SHE WANTED TO DO SOMETHING-- 1384 00:29:57,865 --> 00:29:58,555 SHE WANTED TO GET 1385 00:29:58,555 --> 00:29:59,211 ALL THE INFORMATION. 1386 00:29:59,211 --> 00:29:59,832 YEAH, GET ALL 1387 00:29:59,832 --> 00:30:00,522 THE INFORMATION. 1388 00:30:00,522 --> 00:30:01,247 SHE KNEW I WAS IN TOWN. 1389 00:30:01,247 --> 00:30:02,352 I'’M THINKING I KNOW 1390 00:30:02,352 --> 00:30:03,905 EVERYTHING THERE IS TO KNOW 1391 00:30:03,905 --> 00:30:05,320 ABOUT NIKKO AND ALTHEA, 1392 00:30:05,320 --> 00:30:06,597 AND NOW I FIND OUT 1393 00:30:06,597 --> 00:30:08,013 THEY'’RE STILL IN CONTACT. 1394 00:30:08,013 --> 00:30:09,083 I THOUGHT THEIR RELATIONSHIP 1395 00:30:09,083 --> 00:30:09,980 WAS IN THE PAST. 1396 00:30:09,980 --> 00:30:11,154 WHAT THE HELL DO THEY STILL 1397 00:30:11,154 --> 00:30:12,086 HAVE TO TALK ABOUT? 1398 00:30:12,086 --> 00:30:12,845 WELL, YOU KNOW WHAT? 1399 00:30:12,845 --> 00:30:14,813 ENOUGH OF THE HOS, THE ANIMALS. 1400 00:30:14,813 --> 00:30:16,676 STAY AWAY FROM HER. 1401 00:30:16,676 --> 00:30:17,332 WOW. 1402 00:30:17,332 --> 00:30:17,988 GOOD TO KNOW. 1403 00:30:17,988 --> 00:30:18,678 I KNOW, RIGHT? 1404 00:30:18,678 --> 00:30:21,854 GOOD TO KNOW. 1405 00:30:21,854 --> 00:30:23,235 I SEARCHED EXACTLY WHERE 1406 00:30:23,235 --> 00:30:24,477 HE WAS, AND I WAITED THERE 1407 00:30:24,477 --> 00:30:25,444 TO SEE WHERE THE [bleep] 1408 00:30:25,444 --> 00:30:26,583 HE WAS GONNA COME OUT OF. 1409 00:30:26,583 --> 00:30:28,309 YOU A SMART BITCH. 1410 00:30:28,309 --> 00:30:29,310 IT MAKES ME WANT TO GO HOME 1411 00:30:29,310 --> 00:30:30,035 AND GO THROUGH HIS [bleep] 1412 00:30:30,035 --> 00:30:31,001 WHEN I GET THERE. 1413 00:30:31,001 --> 00:30:31,760 I SEEN A WHOLE BUNCH 1414 00:30:31,760 --> 00:30:36,317 OF PICTURES OF TITTIES, 1415 00:30:36,317 --> 00:30:51,850 ASSES, [bleep]. 1416 00:30:51,850 --> 00:30:52,989 ME AND KARLIE HAD OUR ISSUES 1417 00:30:52,989 --> 00:30:55,163 IN THE PAST, BUT I GOT TO GO 1418 00:30:55,163 --> 00:30:56,026 SIT WITH HER '’CAUSE SHE'’S GONNA 1419 00:30:56,026 --> 00:30:58,373 TELL ME ALL THE MESS. 1420 00:30:58,373 --> 00:30:59,098 HEY, KARLIE. 1421 00:30:59,098 --> 00:31:00,168 HEY, BITCH. 1422 00:31:00,168 --> 00:31:01,929 WHY WAS SHE ACTING SO CRAZY 1423 00:31:01,929 --> 00:31:02,930 AT THE GRAND OPENING 1424 00:31:02,930 --> 00:31:04,138 OF SLEAZY and ZINO? 1425 00:31:04,138 --> 00:31:04,932 I'’M TRYING TO FIGURE OUT 1426 00:31:04,932 --> 00:31:06,554 WHAT'’S GOING ON, AND KARLIE REDD 1427 00:31:06,554 --> 00:31:08,452 IS THE BITCH TO TELL IT ALL. 1428 00:31:08,452 --> 00:31:09,177 NOW, YOU KNOW YOU WASN'’T 1429 00:31:09,177 --> 00:31:10,144 LADYLIKE FOR THROWING THAT 1430 00:31:10,144 --> 00:31:10,938 ON THE GRAND OPENING. 1431 00:31:10,938 --> 00:31:11,766 I DON'’T EVEN KNOW WHO 1432 00:31:11,766 --> 00:31:13,975 I SHOULD TAKE THE BLAME ON, 1433 00:31:13,975 --> 00:31:15,874 BENZINO OR THIS--THIS ALF. 1434 00:31:15,874 --> 00:31:18,393 YOU GOTS TO LET BENZINO GO. 1435 00:31:18,393 --> 00:31:19,532 HE GOT A NEW LADY. 1436 00:31:19,532 --> 00:31:20,879 I DON'’T WANT BENZINO. 1437 00:31:20,879 --> 00:31:21,603 I CAME TO SUPPORT HIM. 1438 00:31:21,603 --> 00:31:22,915 SO WHAT HAPPENED? 1439 00:31:22,915 --> 00:31:23,812 SHE WAS THE FIRST ONE 1440 00:31:23,812 --> 00:31:24,744 TO THROW SHADE, 1441 00:31:24,744 --> 00:31:25,849 FIRST ONE TO THROW A DRINK. 1442 00:31:25,849 --> 00:31:26,539 SHE WAS THE FIRST ONE-- 1443 00:31:26,539 --> 00:31:27,506 SHE THREW A DRINK AT YOU? 1444 00:31:27,506 --> 00:31:28,196 SHE THREW THE DRINK. 1445 00:31:28,196 --> 00:31:28,921 I DON'’T BELIEVE THAT. 1446 00:31:28,921 --> 00:31:29,853 SHE AIN'’T GOT THAT MUCH BALLS 1447 00:31:29,853 --> 00:31:30,681 TO THROW NO DRINK AT YOU. 1448 00:31:30,681 --> 00:31:31,579 THAT'’S WHAT I SAID. 1449 00:31:31,579 --> 00:31:32,304 WHERE THE [bleep] SHE GET 1450 00:31:32,304 --> 00:31:33,201 THESE BALLS FROM? 1451 00:31:33,201 --> 00:31:34,237 I'’M LOOKING AT ALTHEA, 1452 00:31:34,237 --> 00:31:35,307 AND I'’M LIKE, "BITCH, YOU CAME 1453 00:31:35,307 --> 00:31:36,308 TO MY HOUSE, ACTING LIKE YOU 1454 00:31:36,308 --> 00:31:37,516 WAS SUCH A SWEETHEART, 1455 00:31:37,516 --> 00:31:38,241 ACTING LIKE YOU WAS 1456 00:31:38,241 --> 00:31:39,173 MISS GOODY TWO-SHOE, 1457 00:31:39,173 --> 00:31:40,208 BUT, BITCH, YOU IN THE GRAND 1458 00:31:40,208 --> 00:31:41,520 OPENING ACTING RATCHET. 1459 00:31:41,520 --> 00:31:42,210 YOU THROWIN'’ DRINKS 1460 00:31:42,210 --> 00:31:43,073 AT THE GRAND OPENING." 1461 00:31:43,073 --> 00:31:44,316 I KNEW I HAD TO KEEP MY EYES 1462 00:31:44,316 --> 00:31:45,420 ON THIS HO. 1463 00:31:45,420 --> 00:31:46,249 THIS GIRL, ALF, 1464 00:31:46,249 --> 00:31:48,216 SHE IS A THOUGHT. 1465 00:31:48,216 --> 00:31:49,045 I ASKED MY DUDE. 1466 00:31:49,045 --> 00:31:50,529 I WAS LIKE, "WHAT YOU KNOW 1467 00:31:50,529 --> 00:31:51,910 ABOUT MISS ALTHEA?" 1468 00:31:51,910 --> 00:31:52,807 THAT'’S HER NAME. 1469 00:31:52,807 --> 00:31:53,463 ALF. 1470 00:31:53,463 --> 00:31:54,119 ALTHEA. 1471 00:31:54,119 --> 00:31:54,913 ALF. 1472 00:31:54,913 --> 00:31:55,672 WHAT'’S UP WITH A [bleep] 1473 00:31:55,672 --> 00:31:56,466 NAME LIKE THAT ANYWAY? 1474 00:31:56,466 --> 00:31:57,501 SHE GOT AN OLD LADY NAME, 1475 00:31:57,501 --> 00:31:58,295 LIKE A GRANDMAMA NAME. 1476 00:31:58,295 --> 00:31:59,503 [laughs] 1477 00:31:59,503 --> 00:32:00,849 ON SOME SERIOUS [bleep], 1478 00:32:00,849 --> 00:32:03,576 HAVE YOU HEARD 1479 00:32:03,576 --> 00:32:04,923 THAT ALTHEA HAD SEX WITH NIKKO 1480 00:32:04,923 --> 00:32:05,854 A FEW TIMES? 1481 00:32:05,854 --> 00:32:07,235 SHUT THE [bleep] UP. 1482 00:32:07,235 --> 00:32:08,340 I GOT TO WATCH THAT HO. 1483 00:32:08,340 --> 00:32:09,237 HO-THEA. 1484 00:32:09,237 --> 00:32:09,928 YEAH, HO-THEA. 1485 00:32:09,928 --> 00:32:11,239 OOH, I LIKE THAT NAME, 1486 00:32:11,239 --> 00:32:12,068 HO-THEA, '’CAUSE SHE--I DON'’T 1487 00:32:12,068 --> 00:32:13,276 KNOW HER LIKE THAT, BUT HERE'’S 1488 00:32:13,276 --> 00:32:14,553 WHAT I KEEP HEARING: 1489 00:32:14,553 --> 00:32:16,693 THE BITCH GETS AROUND TOWN. 1490 00:32:16,693 --> 00:32:17,936 DOES BENZINO KNOW? 1491 00:32:17,936 --> 00:32:18,729 I'’M SURE SHE TOLD HIM 1492 00:32:18,729 --> 00:32:19,868 TO COVER HER TRACKS, 1493 00:32:19,868 --> 00:32:21,008 BUT HER PAST IS GONNA CATCH UP 1494 00:32:21,008 --> 00:32:21,732 TO HER FUTURE. 1495 00:32:21,732 --> 00:32:22,699 SHE CAN'’T COVER HER TRACKS. 1496 00:32:22,699 --> 00:32:23,631 I SEEN ALL HER TRACKS. 1497 00:32:23,631 --> 00:32:26,254 [both laughing] 1498 00:32:26,254 --> 00:32:27,014 LOOK AT BENZINO. 1499 00:32:27,014 --> 00:32:28,049 HE'’S SO THIRSTY, 1500 00:32:28,049 --> 00:32:29,188 HE'’LL GET WITH THE FIRST THING 1501 00:32:29,188 --> 00:32:29,948 THAT'’LL JUMP ON TOP 1502 00:32:29,948 --> 00:32:30,879 OF HIS BEEFCAKE. 1503 00:32:30,879 --> 00:32:33,054 I JUST HOPE HE KNOW 1504 00:32:33,054 --> 00:32:34,538 WHAT HE'’S GETTING HISSELF INTO 1505 00:32:34,538 --> 00:32:35,988 [bleep] WITH HO-THEA. 1506 00:32:35,988 --> 00:32:36,851 I KNOW ONE THING. 1507 00:32:36,851 --> 00:32:38,094 I'’M CERTAINLY NOT GONNA BE 1508 00:32:38,094 --> 00:32:39,233 THE ONE TO TELL HIM. 1509 00:32:39,233 --> 00:32:40,268 DO YOU STILL TALK TO HIM 1510 00:32:40,268 --> 00:32:41,407 AND COMMUNICATE? 1511 00:32:41,407 --> 00:32:42,167 IN THE BEGINNING, 1512 00:32:42,167 --> 00:32:42,961 BUT I HAVE A MAN. 1513 00:32:42,961 --> 00:32:43,720 I'’M NOT ANSWERING ANYWAY. 1514 00:32:43,720 --> 00:32:44,686 OH, YOU HAVE A MAN? 1515 00:32:44,686 --> 00:32:45,791 IT'’S YUNG JOC. 1516 00:32:45,791 --> 00:32:46,481 WHO? THE RAPPER? 1517 00:32:46,481 --> 00:32:47,966 YUNG JOC, YES. 1518 00:32:47,966 --> 00:32:49,691 YOU KNOW, IT'’S JUST... 1519 00:32:49,691 --> 00:32:51,452 THINGS WERE GOING GOOD, 1520 00:32:51,452 --> 00:32:52,867 AND THEN ONE DAY, I'’M LIKE, 1521 00:32:52,867 --> 00:32:53,937 "HOLD UP. 1522 00:32:53,937 --> 00:32:54,903 SOMETHING AIN'’T RIGHT." 1523 00:32:54,903 --> 00:32:57,009 THERE'’S A GIRL THAT EVERYWHERE 1524 00:32:57,009 --> 00:32:58,597 WE ARE, LIKE, SHE JUST POPS UP. 1525 00:32:58,597 --> 00:32:59,943 THIS BITCH WAS FOLLOWING US 1526 00:32:59,943 --> 00:33:01,772 AROUND EVERY-FRICKIN'’-WHERE, 1527 00:33:01,772 --> 00:33:02,635 RIGHT? 1528 00:33:02,635 --> 00:33:04,983 THEN ONE DAY, HE SAID, 1529 00:33:04,983 --> 00:33:06,018 "OH, SHE'’S GONNA SHOW US 1530 00:33:06,018 --> 00:33:06,743 A HOUSE." 1531 00:33:06,743 --> 00:33:07,468 I SAID, "ARE YOU [bleep] 1532 00:33:07,468 --> 00:33:08,952 MY MAN?" 1533 00:33:08,952 --> 00:33:09,642 WHY, THIS BITCH SAY YES. 1534 00:33:09,642 --> 00:33:10,298 YOU HAD TO--YES! 1535 00:33:10,298 --> 00:33:12,059 OOH! 1536 00:33:12,059 --> 00:33:13,094 OH, YES! 1537 00:33:13,094 --> 00:33:14,026 WHAT DID YOU DO? 1538 00:33:14,026 --> 00:33:15,648 MY GUCCI BAG JUST HIT HER. 1539 00:33:15,648 --> 00:33:16,304 DID YOU HIT HER 1540 00:33:16,304 --> 00:33:16,995 WITH THE GUCCI? 1541 00:33:16,995 --> 00:33:17,650 YES, I HIT HER 1542 00:33:17,650 --> 00:33:18,341 WITH THE GUCCI. 1543 00:33:18,341 --> 00:33:19,031 [sighs] 1544 00:33:19,031 --> 00:33:20,239 YOU CAN'’T TRUST NONE 1545 00:33:20,239 --> 00:33:21,344 OF THESE DUDES OUT HERE. 1546 00:33:21,344 --> 00:33:22,586 THEY ONLY THINK WITH THEY 1547 00:33:22,586 --> 00:33:24,485 BEEFCAKE, AND IF YOU NOT AROUND, 1548 00:33:24,485 --> 00:33:25,865 THEY'’RE GONNA DO THEY OWN THING. 1549 00:33:25,865 --> 00:33:27,005 BELIEVE THAT. 1550 00:33:27,005 --> 00:33:29,110 ONE DAY, I MET UP WITH HIM, 1551 00:33:29,110 --> 00:33:31,457 AND I LEFT MY PHONE IN HIS CAR. 1552 00:33:31,457 --> 00:33:33,701 AND I DID FIND MY IPHONE, 1553 00:33:33,701 --> 00:33:35,634 AND I SEARCHED EXACTLY WHERE 1554 00:33:35,634 --> 00:33:36,876 HE WAS, AND I WAITED THERE 1555 00:33:36,876 --> 00:33:37,981 TO SEE WHERE THE [bleep] 1556 00:33:37,981 --> 00:33:39,017 HE WAS GONNA COME OUT OF. 1557 00:33:39,017 --> 00:33:40,673 YOU A SMART BITCH. 1558 00:33:40,673 --> 00:33:42,503 THESE GUYS AIN'’T [bleep]. 1559 00:33:42,503 --> 00:33:43,331 THAT'’S WHAT I'’M TELLING YOU. 1560 00:33:43,331 --> 00:33:44,505 WELL, YOU KNOW WHAT, KARLIE? 1561 00:33:44,505 --> 00:33:46,024 YOU ACT LIKE YOU SO SURPRISED. 1562 00:33:46,024 --> 00:33:46,817 YOU KNOW, YOU CAN'’T TRUST 1563 00:33:46,817 --> 00:33:47,473 THESE DUDES OUT HERE. 1564 00:33:47,473 --> 00:33:48,992 I MEAN, HELL, I LOVE MY HUSBAND 1565 00:33:48,992 --> 00:33:50,269 AND EVERYTHING, 1566 00:33:50,269 --> 00:33:51,512 BUT I DON'’T TRUST HIM. 1567 00:33:51,512 --> 00:33:52,168 I DON'’T TRUST HIM 1568 00:33:52,168 --> 00:33:52,858 A LOT OF TIME-- 1569 00:33:52,858 --> 00:33:53,514 YOU THINK HE DOING 1570 00:33:53,514 --> 00:33:54,170 SOMETHING TOO? 1571 00:33:54,170 --> 00:33:55,343 GIRL, HE'’S DONE SO MANY 1572 00:33:55,343 --> 00:33:56,758 SNEAKY THINGS TO ME, 1573 00:33:56,758 --> 00:33:58,036 I DON'’T TRUST NOBODY. 1574 00:33:58,036 --> 00:33:59,002 AND, I MEAN, I--YOU KNOW, 1575 00:33:59,002 --> 00:33:59,899 I USED TO GO THROUGH HIS PHONE 1576 00:33:59,899 --> 00:34:01,349 AND EVERYTHING, BUT I HAVEN'’T 1577 00:34:01,349 --> 00:34:02,040 BEEN THROUGH HIS PHONE 1578 00:34:02,040 --> 00:34:03,110 IN A LITTLE WHILE, 1579 00:34:03,110 --> 00:34:04,766 BUT WHAT YOU TELLING ME 1580 00:34:04,766 --> 00:34:05,457 AND WHAT'’S BEEN GOING 1581 00:34:05,457 --> 00:34:07,010 INSIDE OF MY HEAD 1582 00:34:07,010 --> 00:34:09,288 COULD BE A CONFIRMATION. 1583 00:34:09,288 --> 00:34:10,013 I NEED TO GO HOME 1584 00:34:10,013 --> 00:34:11,187 AND LOOK AT SOME PHONES. 1585 00:34:11,187 --> 00:34:11,842 YOU GOT TO TELL ME 1586 00:34:11,842 --> 00:34:16,192 WHAT'’S GONNA HAPPEN. 1587 00:34:16,192 --> 00:34:20,265 '’CAUSE THAT'’S SOME BULL. 1588 00:34:20,265 --> 00:34:21,059 TODAY, WE'’RE COMING 1589 00:34:21,059 --> 00:34:22,405 INTO THE RADIO STATION, 1590 00:34:22,405 --> 00:34:23,199 AND WE'’RE GOING TO TALK 1591 00:34:23,199 --> 00:34:24,717 ABOUT NO R.I.P., 1592 00:34:24,717 --> 00:34:26,823 NO RECKLESS INTERNET POSTING. 1593 00:34:26,823 --> 00:34:28,307 THE KAYO--THAT INTERNET 1594 00:34:28,307 --> 00:34:30,275 GOT ON HIS NERVE. 1595 00:34:30,275 --> 00:34:31,448 WE HAVE A SPECIAL TOPIC 1596 00:34:31,448 --> 00:34:32,380 FOR YOU GUYS TODAY. 1597 00:34:32,380 --> 00:34:34,900 WE'’RE TALKING ABOUT NO R.I.P., 1598 00:34:34,900 --> 00:34:36,867 NO RECKLESS INTERNET POSTING, 1599 00:34:36,867 --> 00:34:38,248 WHICH IS A MOVEMENT 1600 00:34:38,248 --> 00:34:40,492 FOUNDED BY YOURS TRULY. 1601 00:34:40,492 --> 00:34:42,252 I'’M REALLY HOPING 1602 00:34:42,252 --> 00:34:43,874 THAT I REMAIN STRONG 1603 00:34:43,874 --> 00:34:45,393 AND I KEEP MY COMPOSURE. 1604 00:34:45,393 --> 00:34:46,291 YOU GOT TO BE MOVED OUT THE WAY 1605 00:34:46,291 --> 00:34:47,119 RIGHT NOW, PAIN. 1606 00:34:47,119 --> 00:34:48,224 I GOT WORK TO DO. 1607 00:34:48,224 --> 00:34:49,501 DEB, WHAT WAS THE INSPIRATION 1608 00:34:49,501 --> 00:34:50,364 BEHIND YOU STARTING 1609 00:34:50,364 --> 00:34:53,815 THIS MOVEMENT? 1610 00:34:53,815 --> 00:34:56,922 WELL... 1611 00:34:56,922 --> 00:34:59,235 MY SON COMMITTED SUICIDE, 1612 00:34:59,235 --> 00:35:00,753 AND I GOT HIS COMPUTER, 1613 00:35:00,753 --> 00:35:02,962 AND I ACTUALLY LEARNT 1614 00:35:02,962 --> 00:35:05,068 HOW MUCH FIGHTING HE WAS DOING 1615 00:35:05,068 --> 00:35:06,000 ON THAT INTERNET 1616 00:35:06,000 --> 00:35:07,450 FOR ME AND WAKA, 1617 00:35:07,450 --> 00:35:08,175 WELL, THE THINGS THAT THEY 1618 00:35:08,175 --> 00:35:09,141 WERE SAYING ABOUT US... 1619 00:35:09,141 --> 00:35:09,831 RIGHT. 1620 00:35:09,831 --> 00:35:11,109 PEOPLE TALKING ABOUT I WAS 1621 00:35:11,109 --> 00:35:14,422 A PART OF ILLUMINATIS, OR WAKA, 1622 00:35:14,422 --> 00:35:15,354 THAT'’S HOW WAKA'’S DOING 1623 00:35:15,354 --> 00:35:16,390 HIS STUFF, '’CAUSE NOW WAKA 1624 00:35:16,390 --> 00:35:17,701 JOINED THE ILLUMINATI. 1625 00:35:17,701 --> 00:35:19,358 HIS ANGER WAS BUILDING UP 1626 00:35:19,358 --> 00:35:21,153 SO MUCH, AND I DIDN'’T EVEN 1627 00:35:21,153 --> 00:35:23,190 REALIZE THAT AND SAID, 1628 00:35:23,190 --> 00:35:24,708 "NOW I NEED TO GO FORWARD. 1629 00:35:24,708 --> 00:35:26,434 I NEED TO COME UP WITH SOMETHING 1630 00:35:26,434 --> 00:35:27,918 THAT CAN HELP ME GO THROUGH 1631 00:35:27,918 --> 00:35:29,541 WHAT I WAS GOING THROUGH 1632 00:35:29,541 --> 00:35:31,888 AND ALSO HELP FIGHT HIS BATTLE." 1633 00:35:31,888 --> 00:35:33,234 PEOPLE WOULD TALK ABOUT US, 1634 00:35:33,234 --> 00:35:34,960 LIKE, ME, I WAS A THIEF, 1635 00:35:34,960 --> 00:35:35,685 YOU KNOW, HIM BEING CALLED 1636 00:35:35,685 --> 00:35:37,445 AN ALBINO, HIM BEING 1637 00:35:37,445 --> 00:35:39,102 THE ADOPTED CHILD. 1638 00:35:39,102 --> 00:35:40,862 BY THE WAY, HE WAS NOT ADOPTED. 1639 00:35:40,862 --> 00:35:42,485 WITH NO R.I.P., 1640 00:35:42,485 --> 00:35:43,727 IF YOU REAL WITH IT, 1641 00:35:43,727 --> 00:35:46,316 THEN YOU'’LL POST THAT TAG 1642 00:35:46,316 --> 00:35:47,386 ON YOUR SITE. 1643 00:35:47,386 --> 00:35:48,387 THAT MEANS THERE'’S NO 1644 00:35:48,387 --> 00:35:49,630 RECKLESS INTERNET POSTING. 1645 00:35:49,630 --> 00:35:50,769 I KNOW HOW I FELT 1646 00:35:50,769 --> 00:35:52,150 AND HOW BAD IT HURT ME. 1647 00:35:52,150 --> 00:35:53,530 I ONLY CAN IMAGINE 1648 00:35:53,530 --> 00:35:55,256 HOW HIS MOTHER FEELS, 1649 00:35:55,256 --> 00:35:56,533 HOW HIS BROTHER FEELS, 1650 00:35:56,533 --> 00:35:58,225 BUT WHEN I LOOKED AT HOW STRONG 1651 00:35:58,225 --> 00:35:59,053 YOU WERE AND I LOOKED 1652 00:35:59,053 --> 00:36:00,503 AT HOW STRONG WAKA WAS, 1653 00:36:00,503 --> 00:36:01,435 I'’M LIKE, 1654 00:36:01,435 --> 00:36:02,746 "YOU GOT TO GET IT TOGETHER." 1655 00:36:02,746 --> 00:36:04,541 I ADMIRE HER STRENGTH. 1656 00:36:04,541 --> 00:36:05,715 I KNOW THAT SHE'’S GRIEVING, 1657 00:36:05,715 --> 00:36:07,095 AND I KNOW THAT SHE'’S HURTING. 1658 00:36:07,095 --> 00:36:08,856 SHE TURNS HER SORROWS INTO 1659 00:36:08,856 --> 00:36:10,651 GIVING BACK TO OTHER PEOPLE. 1660 00:36:10,651 --> 00:36:12,239 WHO DOESN'’T ADMIRE THAT? 1661 00:36:12,239 --> 00:36:15,207 BE100, YOU'’RE LIVE 1662 00:36:15,207 --> 00:36:23,042 ON THE AIR. 1663 00:36:23,042 --> 00:36:24,975 AND THAT IS SO REAL 1664 00:36:24,975 --> 00:36:27,495 THAT KAYO WAS DESTROYED 1665 00:36:27,495 --> 00:36:31,499 BY THE STUFF PEOPLE WERE SAYING. 1666 00:36:31,499 --> 00:36:33,225 YO, I'’M SO HAVING A MOMENT 1667 00:36:33,225 --> 00:36:34,122 RIGHT NOW, FOR REAL. 1668 00:36:34,122 --> 00:36:36,401 LIKE, THIS IS REALLY, LIKE-- 1669 00:36:36,401 --> 00:36:37,678 I CAN'’T DO THIS RIGHT NOW, 1670 00:36:37,678 --> 00:36:39,058 LIKE, SERIOUSLY, 1671 00:36:39,058 --> 00:36:40,301 '’CAUSE I'’M JUST THINKING 1672 00:36:40,301 --> 00:36:42,372 ABOUT SO MUCH STUFF IN MY BABY, 1673 00:36:42,372 --> 00:36:45,617 LIKE, I CAN'’T DO THIS RIGHT NOW. 1674 00:36:45,617 --> 00:36:47,343 I FIND THE INTERNET TO BE 1675 00:36:47,343 --> 00:36:49,724 THE MURDER CAPITAL OF THE WORLD. 1676 00:36:49,724 --> 00:36:51,692 YOU KILL SPIRITS. 1677 00:36:51,692 --> 00:36:53,452 YOU ALSO TAKE LIVES. 1678 00:36:53,452 --> 00:36:54,798 NO MORE RECKLESS 1679 00:36:54,798 --> 00:36:56,386 INTERNET POSTING. 1680 00:36:56,386 --> 00:36:57,560 WE'’RE DONE. 1681 00:36:57,560 --> 00:36:59,182 AS KAYO WOULD SAY, 1682 00:36:59,182 --> 00:37:01,253 IT'’S QUIET. 1683 00:37:01,253 --> 00:37:03,117 VISIT PLEDGENORIP.COM, 1684 00:37:03,117 --> 00:37:04,601 AND THANKS FOR LISTENING TO US. 1685 00:37:04,601 --> 00:37:05,361 PLEASE SPREAD THE WORD, 1686 00:37:05,361 --> 00:37:08,536 NO R.I.P. 1687 00:37:08,536 --> 00:37:09,537 INTERNET BULLYING 1688 00:37:09,537 --> 00:37:10,745 HAS TO STOP. 1689 00:37:10,745 --> 00:37:11,539 IF YOU WANT TO KNOW MORE 1690 00:37:11,539 --> 00:37:13,783 ABOUT THIS, GO TO MY WEBSITE 1691 00:37:13,783 --> 00:37:19,133 WWW.PLEDGENORIP.COM. 1692 00:37:19,133 --> 00:37:25,760 NO RECKLESS INTERNET POSTING. 1693 00:37:25,760 --> 00:37:35,183 IT'’S TIME TO SILENCE THE HATE. 1694 00:37:35,183 --> 00:37:37,772 CHEERS TO YOU. 1695 00:37:37,772 --> 00:37:38,773 ME AND THE WIFEY'’S PLANS 1696 00:37:38,773 --> 00:37:40,154 ON A BIG WEDDING CELEBRATION 1697 00:37:40,154 --> 00:37:41,155 HAVE BEEN ON THE BACK BURNER 1698 00:37:41,155 --> 00:37:42,536 FAR TOO LONG, 1699 00:37:42,536 --> 00:37:43,778 BUT WITH ALL THE SPECULATION 1700 00:37:43,778 --> 00:37:44,779 IN THE STREET ABOUT US 1701 00:37:44,779 --> 00:37:46,160 NOT BEING MARRIED, IT'’S TIME 1702 00:37:46,160 --> 00:37:48,162 TO SHUT UP ALL THE HATE. 1703 00:37:48,162 --> 00:37:48,990 SO WHAT'’S GOING ON? 1704 00:37:48,990 --> 00:37:49,646 CAN WE TALK 1705 00:37:49,646 --> 00:37:50,406 ABOUT THE WEDDING? 1706 00:37:50,406 --> 00:37:51,234 WE SHOULD DEFINITELY TALK 1707 00:37:51,234 --> 00:37:51,924 ABOUT THE WEDDING. 1708 00:37:51,924 --> 00:37:53,098 ALL RIGHT, UM, 1709 00:37:53,098 --> 00:37:54,824 I KNOW WE WANT THIS BIG, 1710 00:37:54,824 --> 00:37:55,825 ELABORATE WEDDING. 1711 00:37:55,825 --> 00:37:56,791 IS THAT WHAT WE WANT? 1712 00:37:56,791 --> 00:37:57,482 THIS IS WHAT I WANT. 1713 00:37:57,482 --> 00:37:58,759 WE ALREADY MARRIED. 1714 00:37:58,759 --> 00:38:00,243 WE NEED TO BE TALKING ABOUT 1715 00:38:00,243 --> 00:38:02,072 IS WE GONNA STAY MARRIED, 1716 00:38:02,072 --> 00:38:04,661 WE GONNA GET A DIVORCE. 1717 00:38:04,661 --> 00:38:05,628 I HAVEN'’T SEEN THIS [bleep] 1718 00:38:05,628 --> 00:38:06,732 ALL DAY, AND YOU WANT TO TALK 1719 00:38:06,732 --> 00:38:08,009 TO ME ABOUT A WEDDING? 1720 00:38:08,009 --> 00:38:08,907 UH! 1721 00:38:08,907 --> 00:38:09,977 CHECK YOURSELF. 1722 00:38:09,977 --> 00:38:11,219 LET'’S TALK ABOUT A DIVORCE. 1723 00:38:11,219 --> 00:38:12,359 AFTER I SEE ALL OF THESE 1724 00:38:12,359 --> 00:38:13,636 NASTY PICTURES, NAKED PICTURES, 1725 00:38:13,636 --> 00:38:14,395 ON YOUR PHONE, LET'’S TALK 1726 00:38:14,395 --> 00:38:15,741 ABOUT THAT. 1727 00:38:15,741 --> 00:38:16,604 OPEN YOUR PHONE UP. 1728 00:38:16,604 --> 00:38:17,295 WHAT YOU WANT TO SEE? 1729 00:38:17,295 --> 00:38:18,365 OPEN IT UP. 1730 00:38:18,365 --> 00:38:19,676 LET ME--LET ME GET THAT PHONE. 1731 00:38:19,676 --> 00:38:20,781 LET ME GET THE PHONE. 1732 00:38:20,781 --> 00:38:21,678 SEE, EXACTLY. 1733 00:38:21,678 --> 00:38:22,541 ALL BUSINESS. 1734 00:38:22,541 --> 00:38:23,784 I BEEN SEEING A LOT OF THINGS 1735 00:38:23,784 --> 00:38:25,751 IN YOUR PHONE, AND I FEEL, 1736 00:38:25,751 --> 00:38:27,443 AS YOU BEING A MARRIED MAN, 1737 00:38:27,443 --> 00:38:29,307 I SHOULDN'’T BE SEEING IT. 1738 00:38:29,307 --> 00:38:29,962 LIKE WHAT? 1739 00:38:29,962 --> 00:38:30,894 I AIN'’T GOT NOTHING IN MY PHONE. 1740 00:38:30,894 --> 00:38:31,619 I SEEN A WHOLE BUNCH 1741 00:38:31,619 --> 00:38:34,208 OF PICTURES OF TITTIES, 1742 00:38:34,208 --> 00:38:36,383 ASSES, [bleep]. 1743 00:38:36,383 --> 00:38:38,557 SO HOW COULD I BE TALKING ABOUT 1744 00:38:38,557 --> 00:38:40,248 ANOTHER WEDDING WHEN THE WEDDING 1745 00:38:40,248 --> 00:38:41,629 THAT I HAVE NOW, I REALLY DON'’T 1746 00:38:41,629 --> 00:38:43,424 EVEN WANT IT, LIKE, STRAIGHT UP. 1747 00:38:43,424 --> 00:38:44,425 WHAT ARE WE DOING? 1748 00:38:44,425 --> 00:38:45,323 JOSELINE CAN TAKE THAT RING 1749 00:38:45,323 --> 00:38:46,738 OFF ALL DAY IF THAT'’S HOW SHE 1750 00:38:46,738 --> 00:38:47,808 FEELS, BUT MINE ISN'’T GOING 1751 00:38:47,808 --> 00:38:49,534 ANYWHERE, AND SHE AIN'’T GOING 1752 00:38:49,534 --> 00:38:50,914 NOWHERE EITHER. 1753 00:38:50,914 --> 00:38:51,950 I LOVE YOU, STEVIE, 1754 00:38:51,950 --> 00:38:53,538 BUT I CAN'’T [bleep] WITH YOU 1755 00:38:53,538 --> 00:38:55,056 AND YOUR LYIN'’ WAYS. 1756 00:38:55,056 --> 00:38:55,954 I TOOK MY RING OFF '’CAUSE 1757 00:38:55,954 --> 00:38:57,024 HE PISSED ME THE [bleep] OFF. 1758 00:38:57,024 --> 00:38:57,852 YOU KNOW, I HAD TO DO SOMETHING 1759 00:38:57,852 --> 00:38:58,853 TO SHOW HIM, LIKE, "IF THAT'’S 1760 00:38:58,853 --> 00:38:59,923 WHAT YOU'’RE GONNA DO, 1761 00:38:59,923 --> 00:39:01,028 THIS IS WHAT I'’MA DO, 1762 00:39:01,028 --> 00:39:01,856 AND [bleep] YOU." 1763 00:39:01,856 --> 00:39:03,582 YOU MARRIED TO THE BADDEST BITCH 1764 00:39:03,582 --> 00:39:04,376 THAT YOU COULD EVEN THINK 1765 00:39:04,376 --> 00:39:06,067 OF HAVING, AND YOU STILL 1766 00:39:06,067 --> 00:39:07,206 FACETIMING AND TALKING TO HOS. 1767 00:39:07,206 --> 00:39:07,897 YOU'’RE TOO JEALOUS. 1768 00:39:07,897 --> 00:39:08,553 THAT'’S YOUR PROBLEM. 1769 00:39:08,553 --> 00:39:09,243 NO, NO, NO, NO, NO, NO. 1770 00:39:09,243 --> 00:39:10,106 YOU KNOW WHAT'’S YOUR PROBLEM-- 1771 00:39:10,106 --> 00:39:10,969 YOUR JEALOUSY IS GONNA HAVE 1772 00:39:10,969 --> 00:39:11,659 YOU LOSING IT. 1773 00:39:11,659 --> 00:39:13,212 NO, NO, I AIN'’T EVER HAD YOU, 1774 00:39:13,212 --> 00:39:13,972 BECAUSE IF I HAD YOU... 1775 00:39:13,972 --> 00:39:14,766 ONCE YOU LOSE ME, 1776 00:39:14,766 --> 00:39:15,422 YOUR LIFE IS OVER. 1777 00:39:15,422 --> 00:39:16,146 YOU WOULD BE-- 1778 00:39:16,146 --> 00:39:17,355 CALL IT WHATEVER THE [bleep] 1779 00:39:17,355 --> 00:39:18,079 YOU WANT. 1780 00:39:18,079 --> 00:39:19,218 MY LIFE IS JUST STARTING. 1781 00:39:19,218 --> 00:39:20,737 I'’M 27 YEARS OLD. 1782 00:39:20,737 --> 00:39:22,014 I'’M A BAD MOTHER[bleep] BITCH, 1783 00:39:22,014 --> 00:39:22,705 AND I GET MONEY. 1784 00:39:22,705 --> 00:39:23,395 I DID THAT FOR YOU. 1785 00:39:23,395 --> 00:39:24,154 NO, YOU DIDN'’T DO THIS. 1786 00:39:24,154 --> 00:39:24,810 I DID THAT FOR YOU. 1787 00:39:24,810 --> 00:39:25,604 THIS BEEN DONE. 1788 00:39:25,604 --> 00:39:28,296 STEVIE, TO ME, YOU'’RE A CHEATER. 1789 00:39:28,296 --> 00:39:29,953 AND TRUST ME, STEVEN JORDAN, 1790 00:39:29,953 --> 00:39:30,851 JOSELINE HERNANDEZ 1791 00:39:30,851 --> 00:39:31,921 JUST DOESN'’T JUST SIT AROUND. 1792 00:39:31,921 --> 00:39:32,991 I'’MA PLAY THE SAME GAME 1793 00:39:32,991 --> 00:39:34,061 HE PLAYS. 1794 00:39:34,061 --> 00:39:34,751 THAT'’S WHAT I'’MA DO. 1795 00:39:34,751 --> 00:39:35,407 LISTEN. 1796 00:39:35,407 --> 00:39:36,166 SO YOU KEEP THIS, RIGHT? 1797 00:39:36,166 --> 00:39:36,822 NO, YOU KEEP IT, 1798 00:39:36,822 --> 00:39:37,651 '’CAUSE I CAN'’T EVEN PAWN IT. 1799 00:39:37,651 --> 00:39:38,376 NAH, I THINK I'’MA LOOK 1800 00:39:38,376 --> 00:39:39,031 FOR MY OWN SPOT. 1801 00:39:39,031 --> 00:39:39,756 YOU SHOULD DO THAT. 1802 00:39:39,756 --> 00:39:40,619 I'’M DONE, 1803 00:39:40,619 --> 00:39:41,758 AND YOUR CAREER'’S ON HOLD. 1804 00:39:41,758 --> 00:39:43,035 OH, WHATEVER. 1805 00:39:43,035 --> 00:39:44,174 CRYBABY. 1806 00:39:44,174 --> 00:39:48,213 SUCK YOUR MAMA [bleep]. 1807 00:39:48,213 --> 00:39:53,908 CRYBABY, CRYBABY. 1808 00:39:53,908 --> 00:39:54,978 NEXT TIME ON LOVE and HIP-HOP: 1809 00:39:54,978 --> 00:39:55,634 ATLANTA... 1810 00:39:55,634 --> 00:39:56,394 ALTHEA'’S OLD NEWS. 1811 00:39:56,394 --> 00:39:57,395 SHE'’S LEFTOVERS. 1812 00:39:57,395 --> 00:39:58,085 YOU SURE YOU HAVEN'’T 1813 00:39:58,085 --> 00:39:59,776 DIGGED BACK IN? 1814 00:39:59,776 --> 00:40:01,157 GIRL, I CANNOT WAIT 1815 00:40:01,157 --> 00:40:02,503 TO GET ON THEM THONG TRIP. 1816 00:40:02,503 --> 00:40:03,228 WAIT. LOOK AT THIS. 1817 00:40:03,228 --> 00:40:04,402 [screaming] 1818 00:40:04,402 --> 00:40:05,989 Y'’ALL GOT A BAZILLION WIGS. 1819 00:40:05,989 --> 00:40:07,784 [all laughing] 1820 00:40:07,784 --> 00:40:08,958 KARLIE PHOTOSHOP'’S 1821 00:40:08,958 --> 00:40:10,235 MY BEEFCAKE TO MAKE IT 1822 00:40:10,235 --> 00:40:11,857 LOOK SMALLER AND THEN PUTS IT 1823 00:40:11,857 --> 00:40:13,411 UP AGAINST SOMEBODY ELSE'’S 1824 00:40:13,411 --> 00:40:15,447 BEEFCAKE AND SAYS SHE UPGRADED, 1825 00:40:15,447 --> 00:40:16,448 BIGGER IS BETTER. 1826 00:40:16,448 --> 00:40:17,380 YOU'’RE TOO LAZY TO DO IT. 1827 00:40:17,380 --> 00:40:19,037 I WANTED TO DO SOMETHING SEXY 1828 00:40:19,037 --> 00:40:20,625 AND MAKE UP FOR THE OTHER NIGHT. 1829 00:40:20,625 --> 00:40:22,212 SO I'’M SUPPOSED TO TAKE 1830 00:40:22,212 --> 00:40:23,662 MY CLOTHES OFF AND ACT 1831 00:40:23,662 --> 00:40:25,146 LIKE EVERYTHING'’S COOL? 1832 00:40:25,146 --> 00:40:26,803 [blowing] 1833 00:40:26,803 --> 00:40:27,632 WE NEED SOME SPACE. 1834 00:40:27,632 --> 00:40:28,495 THAT'’S THE BOTTOM LINE. 1835 00:40:28,495 --> 00:40:29,565 YOU JUST GOT TRUST ISSUES. 1836 00:40:29,565 --> 00:40:30,428 YOU'’RE RIGHT. I DO. 1837 00:40:30,428 --> 00:40:31,221 AND I'’M DEALING WITH THEM 1838 00:40:31,221 --> 00:40:31,981 BY TELLING YOU 1839 00:40:31,981 --> 00:40:33,292 YOU NEED TO MOVE OUT. 1840 00:40:33,292 --> 00:40:36,744 DID YOU LEAK THAT TAPE? 1841 00:40:36,744 --> 00:40:37,745 DON'’T DO THAT. 1842 00:40:37,745 --> 00:40:39,195 KARTER'’S MY CHILD. 1843 00:40:39,195 --> 00:40:40,610 WHAT'’S A DNA TEST IF NOT KNOWING 1844 00:40:40,610 --> 00:40:42,750 THAT'’S MY BUSINESS? 1845 00:40:42,750 --> 00:40:43,682 YOU'’RE THE ONE TAKING THAT 1846 00:40:43,682 --> 00:40:44,614 FOR GRANTED WHEN YOU HAVE 1847 00:40:44,614 --> 00:40:45,304 SOMETHING SPECIAL. 1848 00:40:45,304 --> 00:40:45,995 BUT I'’M TELLING YOU 1849 00:40:45,995 --> 00:40:46,996 I'’M SORRY. 1850 00:40:46,996 --> 00:40:48,100 HOW'’S YOUR LOVE LIFE? 1851 00:40:48,100 --> 00:40:49,447 THE WORLD AIN'’T EASY. 1852 00:40:49,447 --> 00:40:50,482 JUST BEING IN A RELATIONSHIP 1853 00:40:50,482 --> 00:40:52,070 WITH O'’SHEA, IT JUST MADE ME 1854 00:40:52,070 --> 00:40:53,865 APPRECIATE THINGS I MAY NOT HAVE 1855 00:40:53,865 --> 00:40:55,245 SHOWN YOU I APPRECIATED. 1856 00:40:55,245 --> 00:40:55,901 I'’M LOVIN'’ THIS. 1857 00:40:55,901 --> 00:40:56,557 YOU USED ME! 1858 00:40:56,557 --> 00:40:57,247 WELL, WHY? 1859 00:40:57,247 --> 00:40:57,903 [bleep]... 1860 00:40:57,903 --> 00:40:58,870 FOR GAS MONEY? 1861 00:40:58,870 --> 00:40:59,526 YEAH, GAS MONEY! 1862 00:40:59,526 --> 00:41:00,216 GIVE IT TO ME! 1863 00:41:00,216 --> 00:41:03,219 GET THE [bleep] OFF ME, 1864 00:41:03,219 --> 00:41:17,026 [bleep]! 1865 00:41:17,026 --> 00:41:17,682 I CAN'’T FRONT. 1866 00:41:17,682 --> 00:41:18,614 I LIKE SMALL THINGS. 1867 00:41:18,614 --> 00:41:19,338 OH. 1868 00:41:19,338 --> 00:41:19,994 I DO. 1869 00:41:19,994 --> 00:41:20,857 WHATEVER FLOATS YOUR BOAT. 1870 00:41:20,857 --> 00:41:21,996 I LIKE SMALL THINGS. 1871 00:41:21,996 --> 00:41:23,170 IT'’S EMOTION. 1872 00:41:23,170 --> 00:41:23,998 YEAH, IT'’S EMOTION, 1873 00:41:23,998 --> 00:41:24,689 NOT A OCEAN. 1874 00:41:24,689 --> 00:41:25,413 IN OTHER WORDS, YOU KNOW, 1875 00:41:25,413 --> 00:41:26,622 I LIKE SMALL THINGS. 1876 00:41:26,622 --> 00:41:27,381 I CAN'’T SAY THAT ABOUT JOC, 1877 00:41:27,381 --> 00:41:28,037 THOUGH. 1878 00:41:28,037 --> 00:41:28,796 YOU KNOW WHAT I'’M SAYIN'’? 1879 00:41:28,796 --> 00:41:30,211 HE--HE GOT SOMETHING HUGE 1880 00:41:30,211 --> 00:41:32,213 GOING ON OVER THERE, MY MAN. 1881 00:41:32,213 --> 00:41:33,145 I CAN'’T KEEP UP. 1882 00:41:33,145 --> 00:41:34,181 AND YOU SAID-- 1883 00:41:34,181 --> 00:41:35,631 YOU KNOW, I THOUGHT 1884 00:41:35,631 --> 00:41:36,321 GOOD THINGS COME 1885 00:41:36,321 --> 00:41:37,564 IN SMALL PACKAGES, 1886 00:41:37,564 --> 00:41:38,288 BUT I REALIZE-- 1887 00:41:38,288 --> 00:41:40,428 SOMETIMES. 1888 00:41:40,428 --> 00:41:43,121 I REALIZE THAT BIG THINGS 1889 00:41:43,121 --> 00:41:44,156 COME IN BIG PACKAGES TOO. 1890 00:41:44,156 --> 00:41:44,571 [both chuckling]